A Quote by Edward Albert

I was getting bored and, I think, being a real pest. I remember Brando coming and sitting on the bed and cutting out the most exquisite paper fish, with detailed scales and fins. Then he took a hotel pen and a piece of string and made a fishing pole.
When you see a fish you don't think of its scales, do you? You think of its speed, its floating, flashing body seen through the water... If I made fins and eyes and scales, I would arrest its movement, give a pattern or shape of reality. I want just the flash of its spirit.
Don't talk anybody, don't come near! Can't you see the fish might hear? He thinks I'm playing with a piece of string; He thinks I'm another sort of funny thing, But he doesn't know I'm fishing - He doesn't know I'm fishing. That's what I'm doing - Fishing.
The speeding reader guts a book the way the skillful clean fish. The gills are gone, the tail, the scales, the fins; then the fillet slides away swifly as though fed to a seal.
It sounds like I'm channeling or something, and I don't really fully understand what it is. I'll get a piece of paper and write down what I think is coming to me. And I'll play it once. Whether it's being recorded or not, I can then usually remember it for a sometimes shocking amount of time.
I have a real aversion to machines. I write with a pen. Then I read it to someone who writes it onto the computer. What are those computer letters made of anyway? Light? Too insubstantial. Paper, you can feel it. A pen. There's a connection. A pen goes exactly at your speed, whereas that machine jumps. And then, that machine is waiting for you, just humming "uh-huh, yes?
I remember sitting at the end of my mum's bed being fascinated by her ritual of getting dressed. It was a very methodical and considered process. I suppose you could say she was my first real muse.
But when I took up my pen, my hand made big, jerky letters like those of a child, and the lines sloped down the page from left to right horizontally, as if they were loops of string lying on the paper, and someone had come along and blown them askew.
Every city has a town outside with a lake. I pull out my fishing pole and fish. I've been doing that for a long time.
My pen.’ Funny, I wrote that without noticing. ‘The torch’, ‘the paper’, but ‘my pen’. That shows what writing means to me, I guess. My pen is a pipe from my heart to the paper. It’s about the most important thing I own.
I love my Force Fins, which are the kind of fins Special Forces use and really are adapted from the fins of fish. They're very efficient. They are so beautiful, a pair is in the Museum of Modern Art. The set I have are ruby red. I call them my ruby flippers.
I don't even own a computer. I write by hand then I type it up on an old manual typewriter. But I cross out a lot - I'm not writing in stone tablets, it's just ink on paper. I don't feel comfortable without a pen or a pencil in my hand. I can't think with my fingers on the keyboard. Words are generated for me by gripping the pen, and pressing the point on the paper.
I was a real serious kid, real intense, and there were a lot of things that I was doing by myself I took seriously, like organizing little pieces of paper, cutting out things from magazines, and filing them away.
One night I was sitting on the bed in my hotel room on Buker Hill, down in the middle of Los Angeles. It was an important night in my life, because I had to make a decision about the hotel. Either I paid up or I got out: that was what the note said, the note the landlady had put under my door. A great problem, deserving acute attention. I solved it by turning out the lights and going to bed.
I saw a ghost once, about 20 years ago. It took the form of someone coming out of a sleeping body and sitting at the foot of the bed.
[Writing is like fishing]. You don't bow because you made the fish. That's the difference. If you know that, then you bow for your labor.You crafted, you worked, you put in those hours so that you could catch that fish. But you didn't make that fish. You just caught the fish. That will help you stay humble and bow for the right reason and be very lucid about the work you do.
One night I was in bed-and remember that I'm on the second floor of a hotel-when I spotted this crab coming toward me across the floor, watching me with his beady little crab eyes. I think he wanted to get in bed with me.
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