A Quote by Edward Betts

It is quite possible that the truest and most eloquent art is a successful fusion of both the visible and visionary worlds, each enhancing and reinforcing the other.
All art needs this visible world and will always need it. Quite simply because, being accessible to all, it is the key to all other worlds.
Science is... a powerful way, indeed - to study the natural world. Science is not particularly effective... in making commentary about the supernatural world. Both worlds, for me, are quite real and quite important. They are investigated in different ways. They coexist. They illuminate each other.
Cooperating in something as visible as space exploration and space flight can only improve relations between the two countries because what happens is, you're working on a common project in a very visible light and so, you're motivated to not have conflicts with each other in other areas. And bringing up China is a good example. In the early '90's, China got serious about wanting to launch astronauts into space and they were actually quite successful in launching many communication satellites. They went ahead and in 2003 they launched their first astronaut into space.
Enhancing a woman's silhouette and enhancing a woman's beauty - both contribute to enhancing her confidence, so they're synonymous, really.
Love is a kind of dementia with very precise and oft-repeated clinical symptoms. You blush in each other's presence, you both hover in places where you expect the other to pass, you are both a little tongue-tied, you both laugh inexplicably and too long, you become quite nauseatingly girlish, and he becomes quite ridiculously gallant. You have also grown a little stupid.
It’s the great temptation for small groups of people to slide into a state where they’re not quite telling each other the truth and they’re not quite celebrating each other. Instead, they tolerate each other, they accommodate each other, and they settle for sitting on the unspoken matters that separate them.
No generation is interested in art in quite the same way as any other; each generation, like each individual, brings to the contemplation of art its own categories of appreciation, makes its own demands upon art, and has its own uses for art.
When we even use the term 'specialized world,' we already have a problem! We're making art; they are making art... these worlds are not far apart from each other. For instance, pieces of art that hang on a wall can be seen in museums or can be used in a variety of commercial ways. That art is everywhere, so the message is that it's a part of everyday life.
Cathy Clamp is a visionary author, creating new worlds that are both strong and vividly drawn. Adventure and excitement at its best.
This is fusion, when two people become one. They are so close and so well suited to each other that they blend together. They merge and can't live without each other after that.
If a relationship is perfectly natural there will be a complete fusion of the happiness of both of you-owing to fellow-feeling and various other laws which govern our natures, this is, quite simply, the greatest happiness that can exist.
Yes, it's possible to have the best of both worlds. My personal life is going great, and so is my career. Who says I have to give one up to have the other?
Ideally, both members of a couple in love free each other to new and different worlds.
Sooner or later for good or ill, a united mankind, equipped with science and power, will probably turn its attention to the other planets, not only for economic exploitation, but also as possible homes for man. . . . The goal for the solar system would seem to be that it should become an interplanetary community of very diverse worlds . . . . Through the pooling of this wealth of experience, through this 'commonwealth of worlds,' new levels of mental and spiritual development should become possible, levels at present quite inconceivable to man.
In The Doors we have both musicians and poets, and both know of each other's art, so we can effect a synthesis.
I believe that one of the most important properties of a work of art is an attempt to reconcile opposites, and in their fusion to achieve a 'wholeness' or 'oneness,' the experiencing of which should be revelatory - both for the artist and the spectator - something akin to the experience of enlightenment in terms of religion.
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