A Quote by Edward Bloor
But be careful about the parts you agree to play...You never know when one is going to stick.
Related Quotes
I want to stick with movies, but I also want to stick with YouTube. I'm never going to give up YouTube. I'm never going to stop making videos for the people who continue to watch them. That's my home base. That's what I love; that's what I know.
You have to be very careful about what you say. More importantly, you have to be very careful about what you do. You never know how or when you influence people – especially children.
I have to be extra careful, but I'm never going to change the way I play.
I remember going to him (Richard England) and saying, “You know, how come you don't give me any parts?” I did Raymonda and a couple of other nice parts, but mostly he was giving a lot of parts to the other girls. He said, “Those girls are short and they're not going to get into ABT, but I think you are going to get into ABT. I think you're going dance later, so I'm not worried about you.”
During normal times or boom times, there are some parts of the business that are going to so well, that that can cover for weakness and other parts of the business. What happens during recessions, is you have less windfalls just helping you cover mistakes. You have to be more careful about not making mistakes.
You can be careful as far as you can, but you never know when you're going to fall over and break your ankle. It's like when you drive a car, you don't think about crashing, do you?
It's not like I don't want to play the guy next door. But sometimes they're not the best written or the most complicated. But I am very, very particular about my bad boys. There are certain types of characters I will not play. I've said no so many times to so many parts that are just way too dark. You have to be careful.
Most argument, and in fact most conflict, has nothing to do with the present. It's always about the past or the future. People can't agree on the details of what has happened or is going to happen. But we rarely know what has happened, and we never know what is going to happen. What is really at dispute is how we will deal with not knowing.
I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
Many times you never know what's going to happen. You'll play songs that you never thought you were going to play.
True, I don't begin with an idea for a play - a thesis, in other words, to construct the play around. But I know a good deal about the nature of the characters. I know a great deal about their environment. And I more or less know what is going to happen in the play.
Play stimulates the parts of the brain involved in both careful, logical reasoning and carefree, unbound exploration.
It's one of the best feelings in the world to hit the quarterback like that, hear the crowd go crazy, and then to watch it on film. You look forward to those types of plays. The best part about it is that you never know when it's going to come. Every play you've got to go hard and every play you've got to think and believe that you're going to get that quarterback sack. If you don't get it that play it might be the next play so you've always got to be thinking about it, and when it comes, it's the best.
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along.
Forget about good.
Good is a known quantity.
Good is what we all agree on.
As long as you stick to good,
you'll never have real growth.
I think you have to be careful. You have to know exactly what is going to resonate with voters. And you can't get ahead of that. You have to be very careful with your approach.
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