A Quote by Edward Bond

What I try to do in a play is put a problem on stage, head-on, without evasion. — © Edward Bond
What I try to do in a play is put a problem on stage, head-on, without evasion.
I kind of do it in my head, then I'll try pieces of it on stage and if it looks promising, I'll put it together.
In all secrets there is a kind of guilt, however beautiful or joyful they may be, or for what good end they may be set to serve. Secrecy means evasion, and evasion means a problem to the moral mind.
The biggest problem I see with early-stage entrepreneurs is they get the idea in their head, and they leave it in their head. And they begin embellishing it in their head, making it more ornate. They add on the second story to their dream house - then add the tennis court and the turrets and the gargoyles.
I try to avoid all mistakes. I try to prepare my players and to put them in the best condition to play the game. If you discover a problem during the game, it is too late. You must anticipate and prepare.
When a child asks you something, answer him, for goodness’ sake. But don’t make a production of it. Children are children, but they can spot an evasion quicker than adults, and evasion simply muddles ‘em. No... you had the right answer this afternoon, but the wrong reasons. Bad language is a stage all children go through, and it dies with time when they learn they’re not attracting attention with it. Hotheadedness isn’t.
Where I teach students in drama school, there's a course called Dramatics. In this course, all students must put on a play. However, acting majors are not supposed to act. They can write the play, for example, and the writers may work on stage art. Likewise, stage art majors may become actors, and in this way you put on a show.
The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.
If I "try" to play, I fail; if I force the play, I crush it; if I race, I trip. Any time I stiffen or brace myself against some error or problem, the very act of bracing would cause the problem to occur. The only road to strength is vulnerability.
Never bring the problem solving stage into the decision making stage. Otherwise, you surrender yourself to the problem rather than the solution.
It is the basic evasion of the essential which is the problem of man.
Try to distill the character of your subject. Understand how he moves, thinks, acts. It's difficult to put into words. Consider each drawing as a problem that did not exist before, and then try to solve that problem to the best of your ability. That i what caricature is all about
You're about to walk on stage and play together for the next few hours so you want to feel connected and make sure that everyone is in the same head space; a good head space.
The problem with too beautiful a view is that it's alright for the mulling stage. But for the writing stage, you want to be somewhere without a view, especially if it is very different from what you're writing.
I try and stay out of the sun for the most part. I wear a hat. I play golf. And I wear a hat. But I've had no problem - no major problem - but certainly no problem with skin.
I try to encourage all my teammates, and I sure hope that some day all athletes - my kids, high school kids - get the same level of care I get. Because you can play for a long period of time without having knee replacements, without having all the major head trauma that people are dealing with.
The real problem in Greece is not cutting taxes, it's making sure that we don't have tax evasion.
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