A Quote by Edward Bond

The one overall structure in my plays is language. — © Edward Bond
The one overall structure in my plays is language.
The one overall structure in my plays is language
Every language having a structure, by the very nature of language, reflects in its own structure that of the world as assumed by those who evolved the language. In other words, we read unconsciously into the world the structure of the language we use.
In conducting interviews, my fascination is not only with the content of the conversation, but also the overall delivery of spoken language - so much of one's personality and story is embedded within their speech, their rhythms, the structure of their thoughts, their use of particular diction or dialect.
No word floats without an anchoring connection within an overall structure.
I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
There is no such thing as a language, not if a language is anything like what many philosophers and linguists have supposed. Thereis therefore no such thing to be learned, mastered, or born with. We must give up the idea of a clearly defined shared structure which language-users acquire and then apply to cases.
What came to me as a revelation was the use of rhythm in developing an overall structure in music.
If you cannot grok the overall structure of a program while taking a shower, you are not ready to code it.
I actually used to make these little plays. I would stand there, and I would act out where I was dying or something. I would make them sit there and watch all my plays. I would be talking in gibberish language, like I was talking in a different language, and my parents would be like, 'Oh that was great!' and I'd be like, 'Wait, it's not done!'
A language possesses utility only insofar as it can construct conventional boundaries. A language of no boundaries is no language at all, and thus the mystic who tries to speak logically and formally of unity consciousness is doomed to sound very paradoxical or contradictory. The problem is that the structure of any language cannot grasp the nature of unity consciousness, any more than a fork could grasp the ocean.
I come from not just a household but a country where the finesse of language, well-balanced sentence, structure, syntax, these things are driven into us, and my parents, bless them, are great custodians of the English language.
I love plays that have musical moments. I'm not a big fan of musicals per se, but I love straight plays that have musical edges to them. I don't know if I will ever be able to structure a musical, but 'Finer Noble Gases' is as close as I've gotten.
So long as we use a certain language, all questions that we can ask will have to be formulated in it and will thereby confirm the theory of the universe which is implied in the vocabulary and structure of the language.
I thought why not write a kind of mystery, murder, thriller book, but use romance language where the language plays completely against the very dark subject matter, that very strange murderous plot, but use that Harlequin Romance language.
Sleep plays an important role in overall well-being and especially in recovery during particularly intense training.
In a federal structure such as ours, state governments are imperative for the smooth functioning of our overall polity. They can't just be wished away.
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