A Quote by Edward Burnett Tylor

Everything that is really Mexican is either Aztec or Spanish. — © Edward Burnett Tylor
Everything that is really Mexican is either Aztec or Spanish.
I have never denied my background or my culture. I have taught my child to embrace her Mexican heritage, to love my first language, Spanish, to learn about Mexican history, music, folk art, food, and even the Mexican candy I grew up with.
There is a heavy Mexican Catholic streak in my movies, and a huge Mexican sense of melodrama. Everything is overwrought, and there's a sense of acceptance of the fantastic in my films, which is innately Mexican. So when people ask, 'How can you define the Mexican-ness of your films?' I go, 'How can I not?' It's all I am.
I'm not a Mexican writer, but I think everything that happens in Mexico affects the Mexican writers I know, in their sense of being human and of being Mexican, even if they don't in any explicit way address these issues in their writing.
The Mexican revolution was a break with the past to recover the past. We were trying to deny we had an Indian and a black and a Spanish past. The Mexican Revolution accepted all heritages. It allowed Mexico to be mestizo.
When we were 15, my girlfriend Ruth Kaplan and I applied to the Universidad Ibero-Americana in Mexico City. We were accepted into a program that placed us with a lovely Mexican family. We lived with them for six weeks while studying Spanish poetry and Mexican anthropology.
I think most people assume if you're a Latino in Texas, you're Mexican. It's not really a problem, and I love so much about Mexican culture and the Mexican people.
My worst decision was not learning Spanish yet. I think it would really help my business if I could do some of my singles in Spanish or a Spanish/English mix.
My Spanish is a daughter's Spanish. I write, but my Spanish really is very limited.
You're Mexican until you make money and then you're Spanish.
I think people couldn't really put me in [one race]. I wasn't Mexican, I wasn't white, I wasn't black, I wasn't Asian... I wasn't anything, and I didn't really fit into anybody's group. My dad is Mexican, and my mom is French and Danish.
Actually, between Colombian and Mexican Spanish, there's not a huge difference, but it is a different accent.
Of course, there's no reason that Paris should have decent Mexican food. It's a silly expectation - there's a Mexican population in Paris, but they're not exactly traveling there from across the border. Paris also doesn't do Peruvian all that well, either.
Hector Torrez, how can you communicate with Enzo Hernandez when he speaks Spanish and you speak Mexican?
When I was living in Mexico and writing a book called 'Aztec,' I had to make a deliberate effort to ignore a lot of the 'typically Mexican landscape' around me - banana and citrus groves, roses and carnations, burros and toros - because they did not exist in Mexico in the 15th century, the time of my book.
I want to take it really far in Spanish; even non-Spanish speakers listen to my music across the world. Even though they don't know what I'm saying, they really feel it. We want to take it to another level and keep building our name. We want to take it really far just in Spanish.
I have no idea why one of our most original filmmakers would want to spend two years of his life translating someone else's movie from Spanish into English. And it wasn't such a good film in Spanish, either.
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