A Quote by Edward Burns

I try not to be too plot-heavy and to balance the dramatic with the comedic. — © Edward Burns
I try not to be too plot-heavy and to balance the dramatic with the comedic.
I'm labeled a comedic actor, which is awesome. But I love getting the occasional dramatic role, too. Some of your best dramatic actors are ultimately comedians.
I try to think of myself as both comedic and dramatic.
I do think, oddly, that a comedic actor has a better chance of pulling off a dramatic role than a great dramatic actor has of being able to pull off a highly comedic role.
The great amount of fun that I have is I can cast dramatic actors to play comedic roles, and I can cast comedic actors to play dramatic roles because, really, there's no such thing. There's just actors.
I'm a pantser. I try to plot. I always try to plot. I end up with a few paragraphs that basically outline the gist of the story.But I never get much beyond that. I get too impatient to write.
Even when I was doing theater it was more comedic. Don't get me wrong, I love doing the dramatic and heavy stuff, but I just want to have fun. I want to make people laugh.
I didn't want to make Young and Beautiful as very dramatic movie . In a certain way, I wanted to do a girly film. I wanted to make something sweet, pink. With a boy it was too dramatic and too heavy. I had a lot of pleasure with the boys in In the House, I said, "This time I will do a film with girls."
Life is dramatic and comedic at times. Sometimes in the most dramatic situations, there is comedy. And good comedy comes from a sense of reality.
I just try not to look at any role as a comedic role or a dramatic role. I just try to stay in the movie I'm in.
I love attempting to play real people. I like to try and have dramatic moments as well as comedic moments, and my favorite thing is when those two lines are blurred.
I think I'm a better comedic actress than I am a dramatic actress, but everybody believes I'm this dramatic actress and I'll take it.
I'm a comedic actor, not to mix words, but it's something I think about. A comedic actor. I like to think that Christopher Guest, Phil Hartman, Peter Sellers and Alec Guinness are comedic actors. And Dan Aykroyd, too. Those are my heroes.
I always try to balance the light with the heavy - a few tears of human spirit in with the sequins and the fringes.
New dramatic writing has banished conversational dialogue from the stage as a relic of dramaturgy based on conflict and exchange: any story, intrigue or plot that is too neatly tied up is suspect.
I'm not really good at character or plot development. I'm just interested in big comedic moments.
You can get too heavy on the masculine side of things with all of the action, but then we've got a really nice balance going on when you go home and look at the wives' story lines and what's going on on the home front. I think people really respond to that balance of masculine and feminine.
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