A Quote by Edward Burns

And at no point did making 'Brothers McMullen' feel like work or hardship. It was really just a matter of 11 days of fun over the course of 8 months. — © Edward Burns
And at no point did making 'Brothers McMullen' feel like work or hardship. It was really just a matter of 11 days of fun over the course of 8 months.
I've been making Vine videos for a couple of months. They're just six-second little videos, but I really have fun doing them. It's just fun to feel like you created something.
It doesn't feel like work. Yes, I have days that are difficult, but I'm sitting in a chair making up stories. It's what I did for fun as a kid, whether with Barbies or stuffed animals.
Over a year before I started recording Salad Days, so I finally sat down and was like I have to do this. And it did feel like a chore. I was looking at it in a completely wrong way, trying to one up myself. Just the typical sophomore album bullshit. The main thing I got out of it is I eventually gave up on all that stuff. I had to re-learn why I liked making music in the first place, why I liked recording in my room all the time. Because it's fun. It's fun for me.
Like in comedy, you know the names of the people who steal things that others work really hard on. It really sucks. And, in magic, it's not just the hard work of getting the words and attitude and point of view right; you're taking an actual invention, making something over three or four years, and somebody can just take it.
Compared to what comics say today, I'm a monk, but in those days, it was unheard of to make fun of people like I did. Of course, they exaggerated how outrageous I really was.
Sometimes I'll just feel like wearing all black and being really chill, some days I like dressing boyish and then other days I wanna get really dressed up and be girlie. My wardrobe is all over the place.
I think these are such different films that it's hard to compare, because with Quentin we were all just like, it was like a party every day, you know, it was like that film was just like silly, it was just really for fun, it was really, it wasn't, you know, to make a huge impact. I t was just we wanted to have fun and go to work every day and do a fun movie. And this is like huge, I mean, this is like huge studio film, there's a ton of action, it's like really hard work.
I feel really humbled and really grateful to have the opportunities that I've had over the past couple of years to work with some amazing people. I think, at this point, I just want to put my head down and grind and do honest work.
The whole point was just to be yourself, no matter what that was. You didn't have to fit into a certain punk-rock cliché. Create whatever your compelled to create. People were putting out their own records, and it just seemed natural to put out my own magazine. When I was really young, I started making magazines and little books, just folded-over pieces of typing paper, so when I discovered punk rock, it really blew my mind. I played in bands and stuff, but making my own zines seemed like an inherent part of that scene.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
It's not work, it is more of a passion. It is so much fun and it is really makes you feel great at the end of the day. You feel like you are really after doing something good and you are after accomplishing something. Acting is one of these things that I can't really describe - it's just like, why do you love your mum and dad? You know, you just do.
I just feel that I enjoy the work more than I ever have... or just as much certainly... I enjoy making films behind the camera equally to making them in front of the camera on all those years. I just enjoy it, that's all. I've been lucky enough to work in a profession that I have really liked and so I figured I'd just continue until someone hits me over the head and says "get out".
I love playing football. So I go out to play football, and I don't really feel pressure. Of course, there are some days when things just don't work out as well as they do on other days, but that doesn't have anything to do with pressure.
I feel like every time I start up, it's like a truck you have to get into 15th gear, so you very solely crank into that mental space where you feel really immersed in the world of the book and then you can just kind of go. But there's just that few days of frustration to get to that point.
Your mood doesn't really matter. Some of the best creative work gets done on the days when you feel that everything you're doing is just plain junk.
Part of the reason for moving to New York was the sense that it just didn't matter how much work I did in England, I continued to be seen simply as a Redgrave. I did feel I could be who I am in New York and we all like to feel appreciated.
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