A Quote by Edward Burtynsky
All of my work comes out of a deep concern for human expansion into the landscape.
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As human beings we each have a responsibility to care for humanity. Expressing concern for others brings inner strength and deep satisfaction. As social animals, human beings need friendship, but friendship doesn't come from wealth and power, but from showing compassion and concern for others.
Anne Pitkin's poems have such lyrical sweep, such a sensitive eye for the natural world as it touches the human, that reading Winter Arguments is like seeing a landscape or, better, a richly realized painting of a landscape dotted with figures. But that would leave out their music, which would be a loss. This is a wise and graceful book by a well-traveled woman who knows how to confront deep feeling and frame it to make it all the more intense.
The real concern for the Russians is that they're going to get closed out, that there's gong to be a new 'Iron Curtain'... for European expansion and all of its institutional forms.
John wrote with a very deep love for the human race and a concern for its future.
Deep in the human heart
The fire of justice burns;
A vision of a world renewed
Through radical concern.
I have . . . a deep concern with the development of a literature worthy of our past, and of our destiny; without which literature certainly, we can never come to much. I have a deep concern with the development of an audience worthy of such a literature.
When you take something extremely broad, then it is not a work of expansion or work of compression. It's hard because you have to decide what to throw out.
I'm particularly struck by the neo-socialist concern for the well-being of plants, animals, lakes and rivers, rain forests and deserts - particularly when the concern for the environment appears far more intense than the concern for the human family.
Only the human figure exists; landscape is, and should be, no more than an accessory; the painter exclusively of landscape is nothing but a bore.
I use my film-making to work through my deep questions and my deep problems. I think I could watch each film and tell you exactly which part of my psyche I'm trying to work out.
The divine is God's concern; the human, man's. My concern is neither the divine nor the human, not the true, good, just, free, etc., but solely what is 'mine,' and it is not a general one, but is - 'unique,' as I am unique. Nothing is more to me than myself!
The divine is God's concern; the human, man's. My concern is neither the divine nor the human, not the true, good, just, free, etc., but solely what is mine, and it is not a general one, but is -- unique, as I am unique. Nothing is more to me than myself!
Vonnegut's earliest novels hint strongly at his familiarity with Wiener's work, The Human Use of Human Beings, especially his first novel, Player Piano (1952), which shows his concern for the social implications of automation, the replacement of human beings with machines.
Literature transcends national boundaries, racial boundaries. It goes deep into the issues that concern all human beings. That is why, when people read Greek tragedy - it doesn't matter who reads it - they are still moved by it.
Our deep respect for the land and its harvest is the legacy of generations of farmers who put food on our tables, preserved our landscape, and inspired us with a powerful work ethic.
I think really that's just the basic Christian lesson that sometimes takes us years and years to understand - have equal concern for another human being as you have for yourself or perhaps even more concern for another human being than you have for yourself.
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