A Quote by Edward Burtynsky

I love the tones of browns and grays - I love more neutral tones. That's why I like going to the desert and working in the desert. I find that green trees and things like that have a tendency to lock us into a certain way of seeing.
I love earth tones, jewel tones and everything that is natural. I also like natural materials like cottons, silks... I don't like synthetic. Even the wood we use has to be authentic.
Maybe the desert wisdom of the Dakotas can teach us to love anyway, to love what is dying, in the face of death, and not pretend that things are other than they are. The irony and wonder of all of this is that it is the desert's grimness, its stillness and isolation, that brings us back to love.
I love the sea but it does not love me. The sea is like a desert in that it is quite rightly feared. The sea and the desert are both hungry, they have things to be getting on with so you do not go into them lightly.
I don't like green Christmases. They're not green—they're just nasty faded browns and grays.
If this were so; if the desert were 'home'; if our instincts were forged in the desert; to survive the rigours of the desert - then it is easier to understand why greener pastures pall on us; why possessions exhaust us, and why Pascal's imaginary man found his comfortable lodgings a prison.
One of the color combos that I really love is the tones of technicolor, which older movies would have, these tones of blue and red in them.
Earthly love is a brief and penurious stream, which only flows in spring, with a long summer drought. The change from a burning desert, treeless, springless, drear, to green fields and blooming orchards in June, is slight in comparison with that from the desert of this world's affection to the garden of God, where there is perpetual, tropical luxuriance of blessed love.
I've had a love affair with the desert ever since I can remember. No matter what I wrote - contemporary romance, spy thriller, high fantasy - it was going to have a desert in it.
Consonance, says the dictionary, is the combination of several tones into a harmonic unit. Dissonance results from the deranging of this harmony by the addition of tones foreign to it. One must admit that all this is not clear. Ever since it appeared in our vocabulary, the word 'dissonance' has carried with it a certain odor of sinfulness. Let us light our lantern: in textbook language, dissonance is an element of transition, a complex or interval of tones that is not complete in itself and that must be resolved to the ear's satisfaction into a perfect consonance.
I'm most passionate about anything to do with nature and the simple things. I love taking walks with my family or my friends and seeing nature. And that's why I love living where I live because I live up in the desert area in the mountains.
For me, exploration was a personal venture. I did not go to the Arabian desert to collect plants nor to make a map; such things were incidental. At heart I knew that to write or even to talk of my travels was to tarnish the achievement. I went there to find peace in the hardship of desert travel and the company of desert peoples. I set myself a goal on these journeys, and, although the goal itself was unimportant, its attainment had to be worth every effort and sacrifice... No, it is not the goal but the way there that matters, and the harder the way the more worth while the journey.
The desert loves me. I love the desert. It's nice to be in the heat in Africa. I love it.
I am very much a person who appreciates perennial things. Things like a Lacoste shirt, a Clarks desert boot, Persol sunglasses and Vans shoes that have been the same forever. There are certain things that once you find it, you like it and it's done. I like Italian clothing, like suits from Battistoni and I have a shirt by Piero Albertelli.
It is the easiest thing in the world for us to obey God when He commands us to do what we like, and to trust Him when the path is all sunshine. The real victory of faith is to trust God in the dark, and through the dark. Let us be assured of this, that if the lesson and the rod are of His appointing, and that His all-wise love has engineered the deep tunnel of trial on the heavenward road, He will never desert us during the discipline. The vital thing for us is not to deny and desert Him.
I think there are a lot of really funny things in 'The Descendants,' but there're a lot of different tones in that movie, in the same way that 'Transparent' has a lot of different tones.
To me, desert has the quality of darkness; none of the shapes you see in it are real or permanent. Like night, the desert is boundless, comfortless, and infinite. Like night, it intrigues the mind and leads it to futility. When you have flown halfway across a desert, you experience the desperation of a sleepless man waiting for dawn which only comes when the importance of its coming is lost.
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