A Quote by Edward Burtynsky

I have a fondness for when the landscape becomes surreal. — © Edward Burtynsky
I have a fondness for when the landscape becomes surreal.
The pleasure a man gets from a landscape would [not] last long if he were convinced a priori that the forms and colors he sees are just forms and colors, that all structures in which they play a role are purely subjective and have no relation whatsoever to any meaningful order or totality, that they simply and necessarily express nothing....No walk through the landscape is necessary any longer; and thus the very concept of landscape as experienced by a pedestrian becomes meaningless and arbitrary. Landscape deteriorates altogether into landscaping.
The landscape becomes human, becomes a thinking, living being within me. I become one with my picture...we merge in an iridescent chaos.
I still felt fondness for her - fondness, that pleasant, detached mix of admiration and sentiment, appreciation and nostalgia.
A beautifully written tale that lives somewhere between landscape and memory, where regret becomes a prison, and a story told often enough becomes truth.
I want people to know what it is they're looking at. But at the same time, the closer they get to the painting, it's like going back into childhood. And it's like an abstract piece.. it becomes the landscape of the brush marks rather than just sort of an intellectual landscape.
There's something when you're always immersed in the natural landscape where it becomes your healer, in a way, at the same time that it also becomes sort of frightening. I guess that's how I see things, in that form of duality.
'Pierrot le Fou' is something I keep coming back to. It's so surreal but still really engaging - it proves narratives within narratives are a landscape that can be pursued well.
Pierrot le Fou is something I keep coming back to. Its so surreal but still really engaging - it proves narratives within narratives are a landscape that can be pursued well.
How to paint the landscape: First you make your bow to the landscape. Then you wait, and if the landscape bows to you, then, and only then, can you paint the landscape.
Let your heart travel lightly. Because what you bring with you becomes part of the landscape.
Surreal can be exciting and good, and it can be like living inside an alien landscape, and it can be completely interesting, or you can be alienated from your own life - inside your own life, it doesn't feel familiar any more.
I still find it a bit surreal that Sir Elton John can call Troy Deeney from Chelmsley. It's quite entertaining but a bit surreal.
Surreal can be exciting and good, and it can be like living inside an alien landscape, and it can be completely interesting, or you can be alienated from your own life - inside your own life, it doesnt feel familiar any more.
A town, a landscape are when seen from afar a town and a landscape; but as one gets nearer, there are houses, trees, tiles leaves, grasses, ants, legs of ants and so on to infinity. All this is subsumed under the name of landscape.
London has always provided the landscape for my imagination. It becomes a character - a living being - within each of my books.
When the written and spoken word is censored, the urban landscape becomes a nation's only physical link to the past.
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