A Quote by Edward Carpenter

And where there had been only jeers or taunts at first, crowds came to listen with serious and sympathetic mien. — © Edward Carpenter
And where there had been only jeers or taunts at first, crowds came to listen with serious and sympathetic mien.
Where there had been only jeers or taunts at first, crowds come to listen with serious and sympathetic men.
So long as I am acting from duty and conviction, I am indifferent to taunts and jeers. I think they will probably do me more good than harm.
And he would listen, making only a few comments, always sympathetic, so that when I left him I had the distinct impression he had solved everything for me.
You can do beautiful things with your friends; you can do beautiful things when you are all alone! In togetherness, listen to the music of the crowds; in solitude, listen to the music of the silence! Be neither afraid of the crowds, nor of the loneliness, because both are blessings!
I think the crowds in Europe are songwriter crowds. Like, they are a fan of the words, and they're there to listen. An American crowd, they're there to get rowdy, man. And I love both.
I have always been English, ever since I emigrated from England and since the kids in Canada beat me up at the age of twelve for having an East London Cockney accent. I thank them for the cockney taunts because the beatings turned me on to boxing. But on a serious note Canada has been kind to me.
There [is] a feeling of recognition, as of meeting an old friend, which comes to us all in the face of great artistic experiences. I had the same experience when I first heard an English folksong, when I first saw Michelangelo's Day and Night, when I suddenly came upon Stonehenge or had my first sight of New York City - the intuition that I had been there already.
Hey, we've all been to high school We've seen the in-crowds. Most of us have been in the outer crowds, the people who weren't in. Although I was never in, I was selling records and was very happy.
Crowds of men are like crowds of sheep. Not the best, but the first leader is usually followed.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
We planted the church by starting a Sunday night outreach. The very first Sunday we had 70 people turn up. The second week, there were 60, the third week, 53, and by the fourth week, 45. I've often joked that we worked it out at the time- we had only four and a half weeks left until there were no more people. It was about that time that we had our first ever commitment to Christ. We outgrew the school hall after 12 months. The crowds were so big that we were using road-case as the platform, and what should have been the stage as a balcony so that we could fit more people in.
The biggest surprise for me, without a doubt, was that the first black people who came to the United States weren't the 20 who arrived in Jamestown in 1619. All of us had been taught that. The first African came to Florida in 1513. And the huge shock is we know his name, Juan Garrido, and that he wasn't a slave. He was free!
People said Mitt Romney had crowds, but the truth is he had one crowd, one big crowd the last day. We've had crowds for five months. I mean, from the beginning. And now they're bigger than ever before. I think it makes a big difference.
I'm very fast on teaching guys. Like, when I came over here, I only had two rehearsals with the band. I wondered when I first got here... but it sure came up great.
I had a sympathetic role in 'thirtysomething,' and in two weeks I'm going to do the role again. But in the movies, I just love the heavies. It's much more fun. Villains are a ball. People have been laughing at me for 50 years, so I love to sit in the back of the theater and listen to them hate me.
I came in on this movie after there had been a director and I came in after Tom Courtenay had talked to Ron Harwood about making a movie. So, you know Tom and Albert Finney had been friends since the beginning of their career as they became stars around the same time - Tom always reminds me that Albert was first with Saturday Night and Sunday Morning and then Tom with The Long Distance Runner.
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