It's the warm-up in the changing room when I switch on. I don't even think about the fight until then. Some fighters are bouncing about the walls, but I switch off. Then it's like someone flicks a switch in me.
Matter of fact, the way we got a path, a great friend, Arlen Specter, I convinced him to switch parties. Not a joke. Not a joke. He was the deciding vote.
Whenever I switch from one character to another, there's always a few days where I really struggle because I'm changing voices and I'm changing ways of looking at the world. I'm not just flicking a switch; it's harder process than that.
I don't think we know yet what broadcast television did to us, although it obviously did lots. I don't think we're far enough away from it yet to really get a handle on it. We get these things, I think they start changing us right away, we don't notice we're changing. Our perception of the whole thing shifts, and then we're in the new way of doing things, and we take it for granted.
I found out that changing the perception of myself and the NFL, and reestablishing the notion of being a gentleman was important to me.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
Change isn't easy. Changing the way you live means changing the way you think, means changing what you believe about life. That's hard.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
It doesn't mean you can't discuss important things, but I would never do a joke about cancer, just because I don't think any joke is funny enough to justify upsetting someone who is going through that.
Anger management (which is a part of both public displays of rage and spouse abuse) is about changing a person's internal reactions to events (how they see their behavior) by changing the support environment for the behavior (making them see the behavior is wrong).
I love changing my roles. I think the most important thing that I can do for myself is to keep changing the genres, the periods, the characters themselves.
We have to have loving speech. And if we are honest, if we are true, terrorists will open their hearts. Then we practice compassionate listening, and we can learn so much about our own perception and their perception. Only after that can we help remove wrong perception. That is the best way, the only way, to remove terrorism.
I think now we're seeing the pendulum switch back to this idea where conversations are more important, if not more important than documents.
One of my all-time favorite pranks was gaining unauthorized access to the telephone switch and changing the class of service of a fellow phone phreak. When he'd attempt to make a call from home, he'd get a message telling him to deposit a dime, because the telephone company switch received input that indicated he was calling from a pay phone.
The world is continually changing. I think in some ways it's changing in a very positive way.
I'm not a big note-taker, so I think that the way I decide is that whatever I remember I always consider something that's important. If I remember a joke then I know it's a good joke, if I remember a story then I know it's a good story, and so that's how I curate what stories I'm going to write for the book. And I go over them again, make sure there's a theme and all that stuff, but mostly, it is intuition.