A Quote by Edward Enninful

I felt like I grew up with Bowie. I never dressed like him, even though I did love the music, but consistently throughout my career he has been a go-to reference point: The suit from 'Young Americans,' or the gold Missoni-type looks of Ziggy Stardust. 'The Berlin Years' still influences me.
I was a shy kid growing up, and I liked the idea of playing under this alter ego: like, I could be Ziggy Stardust, but I also knew I could never be Ziggy Stardust.
People are like, "Why are you all dressed up? Did you dress up just for me?" I'm like "No, I dressed up because I'm an adult and I felt like putting on my suit." But I love it. Tom Ford and Ralph Lauren are my two heroes of clothing designers.
I've been following him since Space Oddity. And I've followed him from all those albums that didn't sell, like The Man Who Sold The World and things like that. Above all, apart from all the glamorous rubbish, the music's there. Ziggy Stardust is a classic album.
Before I met David Bowie, I was very nervous. I thought, 'Here comes the Thin White Duke, Ziggy Stardust. How will I ever communicate with him?'
I feel lucky, though, because even when 'Alias' was popular, I was still sent scripts against type. I've never felt like the world only sees me one way. But yes, it's been really fun to be bad.
We never pull down the quality of the product, and I think that pays in the long term. People come up to me and say, 'I'm still wearing a Missoni sweater from 30 years ago, and it still looks great.' So quality, specificity and passion.
Bowie's 'Hunky Dory' influenced me. 'Ziggy Stardust' influenced Johnny Ramone a lot, especially his guitar parts.
It's fun to look at people that are so good at acting that aren't actors, like David Bowie creating a mystique about rock n' roll. I've listened to 'Ziggy Stardust' as much as any rock n' roll fan - I don't really know what it's about, but it sure is fun to think about David Bowie as this mad creation.
Nas always been my favorite rapper, but 50 Cent, he changed my way of thinking about music 'cause he was so detailed in his music, I knew that wasn't lying. I never felt Tupac that way; I never felt Biggie that way. I love Nas music, but I never felt and believed like, 'This is for real.' 'Cause I grew up that gangsta lifestyle.
It's deeper than the music when it comes to me and Mustard. He's like a big brother, and I'm so thankful to have a mentor like him to advise me. Even though he gives me a lot of creative control, I always go to him like, 'Do you like this?' It's so cool that it's always a collaborative effort. He never makes me feel pressured or anything.
In the role of Ziggy Stardust, Bowie seemed in 1972 like a strange alien creature, not so much coming from another planet as from a future age. His purpose: to warn us about a dangerous society where values were to be turned inside out.
I surrounded myself with people who indulged my ego. They treated me as though I was Ziggy Stardust or one of my characters, never realising that David Jones might be behind it.
I felt like it was the space that I could be the most authentic of anywhere because of how I grew up. Even though some of the songs and some of the texture wasn't what I like, I felt like country music was more authentic, in general, than anywhere else.
I left Stone Sour in '97 because, by that time, we'd been together for about five years and I was kind of getting to the point where I wanted to do something different. I loved the music that we did and I loved the guys that I was with, but I was 24 and just felt like I needed to go and try something different so I didn't get stuck where I was, you know, just doing the same thing. And, coincidentally, that's when Slipknot came and asked me to join. I'd never done anything like Slipknot up until then, so I was like, "Okay, we'll try this and we'll see what happens." And it worked out.
I remember what it felt like when I was young, and I looked up to someone, and they would pay me just an ounce of attention. And some of the bands I listened to when I was young probably never even sold any albums, but it didn't matter to me. If I'd go up and say, 'Great show,' it would be amazing that they even would acknowledge me.
he ones that bother me the most are the media saying, "He's like the next Bill Hicks." It's supposed to be complimentary, but then all these Bill Hicks fans show up thinking you're going to be like him, and then go, "You're no Bill Hicks." And I'm like, "I never wanted to try to be like him, I don't think I'm anything like him at all, and now you're mad at me for not being him because a journalist didn't have a better reference."
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