A Quote by Edward Enninful

I'd never seen anything like it in my life. Someone so blatantly challenging the ideas of race and gender and sexuality. In a way, it was comparable to David Bowie, except that Prince brought that to the black community.
I think there are some people who have taken on fame in extraordinary ways, like Madonna, David Bowie, and Michael Jackson. There are other people who have taken it on in a completely different way, like Prince - who is just as famous and has achieved just as much - but is still unbelievably mysterious, which I guess Bowie managed to hold as well. There are different ways of dealing with it, and for some people I think it becomes an art form of how you put yourself out there, and for other people it's literally a way of life, it's who you are, you act like a celebrity.
I was brought up on Black Sabbath, David Bowie, 50 Cent, and Guru. And it all comes out in my own music somewhere.
I've never treated anyone badly or in a discriminatory way based on their gender, race, religion or sexuality - period.
David Bowie is my biggest inspiration. Pretty much the only thing that stayed the same with Bowie was his eyes. Everything else constantly changed, from his sexuality to his songs.
I grew up as a kid looking at artists like David Bowie and Prince; I really admired them.
I never try to create a different personality or anything like that. I'm not like David Bowie or somebody like that, who changes personas each year.
I was in L.A. with my wife in a restaurant, and I spotted my great hero David Bowie at another table. Of course I wasn't going to bother him. Then I felt a tap on my shoulder, and it was Bowie, and he squatted down to talk to me. David Bowie came down to my level - so gentlemanly.
If you took a couple of David Bowies and stuck one of the David Bowies on the top of the other David Bowie, then attached another David Bowie to the end of each of the arms of the upper of the first two David Bowies and wrapped the whole business up in a dirty beach robe you would then have something which didn't exactly look like John Watson, but which those who knew him would find hauntingly familiar.
The extremes of who I'd love to be onstage are David Bowie, Prince, and, I don't know, Bjork.
David Bowie's death came out of the blue, as did Prince's.
I knew about things like Iggy Pop and The Velvet Underground, weirdly, before I knew about David Bowie. I didn't know what David Bowie was, when I was a kid. I thought he was like Visage.
David Bowie used to cover loads of people, and there was an element of "David Bowie did it, so we wanted to do it," because we're kind of obsessed [with him].
I didn't love David Bowie. Sure, I loved a lot of his songs, like everybody else, and, like everybody else, I had an incarnation of Bowie that I loved best - in my case, the solemn 'art-rock' Bowie of the late Seventies.
I think you can make fun of anything except things people can't help. They can't help their race or their sex or their age, so you ridicule their pretension or their ego instead. You can ridicule ideas - ideas don't have feelings. You can ridicule an idea that someone holds without hurting them.
Prince didn't want to sound like Michael Jackson. Neither of them wanted to sound like Luther Vandross. They didn't want to sound like David Bowie. They were all different, but brilliant.
What an extraordinary thing it can be, love, how it will not defined by gender, by sexuality, by race, by religion, by anything. It's something else. It's something other.
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