A Quote by Edward Enninful

I didn't grow up with money; I didn't come from a rich family. But what fashion gave me was an escape into a world of creativity: if I couldn't afford that Junior Gaultier jacket, then I'd get one from the market and customise it.
[Larry Laurenzano] gave me a junior high school saxophone to take to high school, because I was always taking one of our school horns home to practice and I couldn't afford to buy one. He gave my friend, Tyrone, a tuba and he gave me a junior high saxophone for each of us to use at Performing Arts High School with. My audition piece was selections from Rocky. We were not sophisticated. But we had some spirit about it. We enjoyed it, and it was a way out.
When I went to college, I went to a junior college. I wanted to go to the University of Alabama but had to go to junior college first to get my GPA up. I did a half-year of junior college, then dropped out and had my daughter. College was always an opportunity to go back. But she, my daughter, was my support. I gave up everything for her.
It's going to be really interesting to see what the heroin market does in the next two years or so. One thing you can be pretty sure of. The Afghan peasants who grow poppies won't get rich. The money will end up in places like Dubai.
Amazon can afford to lose money for years on its fashion offerings. But when, if you're a designer or a retailer, fashion is your bread and butter then you can't.
I come from a middle-class family, where you grow up thinking about government service. But when I went to Harvard, I saw that entrepreneurs and business leaders were just like me. It gave me a feeling that I could also do such things.
I used to feel guilty about having nice things, because there was so much good I could be doing with that money. I always tell people that, if you can afford what I'm wearing, then you can afford to make a difference. But fashion has taught me that it's not a bad thing to love yourself and take care of yourself.
Generations of women have sacrificed their lives to become their mothers. But we do not have that luxury any more. The world has changed too much to let us have the lives our mothers had. And we can no longer afford the guilt we feel at not being our mothers. We cannot afford any guilt that pulls us back to the past. We have to grow up, whether we want to or not. We have to stop blaming men and mothers and seize every second of our lives with passion. We can no longer afford to waste our creativity. We cannot afford spiritual laziness.
After I got into the industry, I got into fashion because before that, I wasn't really into fashion because I couldn't really afford anything. After, I got into this industry, and then I could start to afford them. I started to get into more of the high-fashion stuff.
We all have a family, whether we like it or not; we all come from somewhere, and there's something strange in the way you have, with siblings, two or three personalities yoked together for life. You grow up thinking those family relationships are set in stone and then you get older and realize they're not. They're always shifting.
I'm from a middle class family. I didn't grow-up rich, but I didn't grow-up poor. Each guy has to stick to his own story.
Becoming rich isn't as much about getting rich financially as about whom you become, in character and mind, to get rich. I want to share a secret with you that few people know: the fastest way to get rich and stay rich is to work on developing you! The idea is to grow yourself into a successful person. Again, your outer world is merely a reflection of your inner world. You are the root; your results are the fruits.
Having money hasn't changed me. If anything it's made my life worse. People come up to you who knew you before you were famous and who didn't come up to you before. I'm a clever designer. I can do what the client wants. But I'm prepared to forget about money if it affects my creativity because, remember, I started off with nothing. And I can do that again.
If you come from a working-class background, you can't afford to write full time, because you're just not being paid. Basically, all my arguments come down to Marxist doctrine: The world is shaped by money, so the only voices you'll hear are the ones with money behind them. But thankfully, culture and cool are some things that circumvent money, because if you're cool, people will want to give you money - suddenly you shape the market and people start coming to you. Which is why culture has always been a traditional way out for working-class people.
I didn't come from a rich family. We had no money. And now living in all these lavish houses and property around the world, it's my choice. It's something that I've worked for.
If you're having difficulty coming up with new ideas, then slow down. For me, slowing down has been a tremendous source of creativity. It has allowed me to open up -- to know that there's life under the earth and that I have to let it come through me in a new way. Creativity exists in the present moment. You can't find it anywhere else.
Fashion gave me the platform that has made this transition from fashion to Hollywood, from East Coast to West Coast. Fashion gave me the platform that has made this easier than it is for a lot of other people. And I will always count fashion as the industry that was first to welcome me and embrace what I could do.
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