A Quote by Edward Enninful

The funny thing is that the fashions from the '90s seem to sit so well with the fashions of 2016. Everything from then somehow skipped and came back. — © Edward Enninful
The funny thing is that the fashions from the '90s seem to sit so well with the fashions of 2016. Everything from then somehow skipped and came back.
There are fashions in building. Behind the fashions lie economic and technological reasons, and these fashions exclude all but a few genuinely different possibilities in city dwelling construction at any one time.
Fashions come and fashions go, but pockets are usually the same. There's little change in them.
Scientific fashions last longer than women's fashions but not as long as men's
Fashions are not fashions at all but refashioning; language is not communication but reinvention. They are never in place but on display.
I never thought I was somebody that would be on the cover of magazines in fashions, wearing fashions. It's like not me. But that is what movie stardom entails.
Being in the music business, if we couldn't pull the fashions from designers and if designers couldn't use artists to show off their fashions, where would we be?
Look back, to slavery, to suffrage, to integration and one thing is clear. Fashions in bigotry come and go. The right thing lasts.
A human being fashions his consequences as surely as he fashions his goods or his dwelling. Nothing that he says, thinks or does is without consequences.
We smile at the women who are eagerly following the fashions in dress whilst we are as eagerly following the fashions in thought.
A man fashions ill for himself who fashions ill for another, and the ill design is most ill for the designer.
My guilty pleasures are the websites where you can look at the fashions and see how different outfits will look. You can even take a picture of yourself and download it and play with the fashions! I love playing with these websites to see what I can learn.
The world will see many fashions of art and most of the world will follow the fashions and make none. These cults - these 'movements' - are absolutely necessary, or at any rate their causes are, for somewhere in their centres are the ones who bear the Idea, the ones who have questioned, 'But what do I think?' and 'How shall I say it best?
There would not be so much harm in the giddy following the fashions, if somehow the wise could always set them.
Then years back, when I moved to California, I happened to see a book about fashions of 19th-century Victorian England, only four pages of which was devoted to the dress of the working class.
Fashions in bigotry come and go. The right thing lasts.
Matter and force are the two names of the one artist who fashions the living as well as the lifeless.
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