A Quote by Edward Enninful

The more you style, the better you get. Don't give up. At a certain point, the magic happens. — © Edward Enninful
The more you style, the better you get. Don't give up. At a certain point, the magic happens.
Rock is ironic in that, up to a certain point, you can get better and better at it if you don't mind possibly looking more and more ridiculous.
I think if you talk to anybody who ever went from not having much to having enough to buy what they wanted, they're always happier. Now I get that whole '$75,000 a year is some kind of magic number,' but my experience is 'more is better, up to a point.' Then there's a point where it doesn't make any difference.
When you're rehearsing, you get really inspired in the beginning, but then it becomes repetitious and you lose the magic. How do you get the magic again? The magic happens when you're not pushing it.
There is always magic to be summoned at any point. I love to live in a world of magic, but not a fake world of magic. We all really basically have a lot of magic... It’s only those of us who choose to accept it, that really understand it. It’s there for everyone. That’s the only thing that I feel I am able to give to people and that’s why I know that they respond to me because I try to give them only their own magic... not mine, but theirs
Whatever happens, happens. I can't give you a prediction because Jim (Irsay) and I will sit down at some point and he'll get a feel for where I am and I’ll get a sense of what direction he wants to go. Right now, I have no idea.
You can definitely train your awareness to be even better than it is. Of course, you start with a certain point of feelings and awareness on the pitch. But I think the more you get in positions, the more you get used to it, the more you get used to the tempo of your team-mates, everything. It feels more and more natural, and quicker and quicker.
A lot of artists who have a certain style are expected to more or less keep doing their style. It's so easy to get into that rut of production.
There really is a certain magic that happens when you're in the studio. And it's important in life to feel that magic: to feel that there is something greater moving all this along.
With a defeat, when you lose, you get up, you make it better, you try again. That's what I do in life, when I get down, when I get sick, I don't want to just stop. I keep going and I try to do more. Everyone always says never give up but you really have to take that to heart and really do never definitely give up. Keep trying.
In a true partnership, the kind worth striving for, the kind worth insisting on, and even, frankly, worth divorcing over, both people try to give as much or even a little more than they get. 'Deserves' is not the point. And 'owes' is certainly not the point. The point is to make the other person as happy as we can, because their happiness adds to ours. The point is -- in the right hands, everything that you give, you get.
When two people meet and fall in love, there's a sudden rush of magic. Magic is just naturally present then. We tend to feed on that gratuitous magic without striving to make any more. One day we wake up and find that the magic is gone. We hustle to get it back, but by then it's usually too late, we've used it up. What we have to do is work like hell at making additional magic right from the start. It's hard work, but if we can remember to do it, we greatly improve our chances of making love stay.
Compromise is the key element. The more constraints you have, the more compromise you have to have. But, I personally believe that, when that happens, you have to get more creative, and you end up with something that is even better.
What we also have to recognize is that the deficit levels that I'm inheriting, over a trillion dollars, coming out of last year, that that is unsustainable. At a certain point, other countries stop buying our debt, at a certain point, we'd end up having to raise interest rates, and it would end up creating more economic chaos and potentially inflation.
I can't figure out how you can draft players for a coach that you know coaches a certain a style, and was successful doing that style, and get him to play a style that you feel comfortable with.
It's so hard to get started creatively - it's really hard to get those first ideas out. You just have to do it over and over again, and hopefully better ones start to come. Also, anytime a good idea comes up, for a long time I think, "Oh, my God, that was so lucky that I thought of that idea, whew, I hope that happens again." The more you work at it, the more it happens, but it still feels lucky.
You know, you get to a certain age, 45, 50, I don't know when it happens, I said, 'Jesus, all I got is a certain amount of time. Maybe I should think about using it a little better.'
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