A Quote by Edward Felten
We're in a situation where the solutions that we have are not good enough. The way to improve anything is to have a discussion about its flaws. To understand what the one or two or three things are about it that would help fix it. The DMCA makes it dangerous to have that conversation.
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Imagining the world without us is a recipe for despair and paralysis. I actually think it's more helpful to imagine the world before us, to look back at those unstable ecosystems of the Triassic and realize that were in another phase of unstable ecosystems. Knowing that, demystifying our situation as it were, makes it easier to think about solutions. We are not looking into the unknown. The only thing unknown about the situation is how we're going to fix it, and when.
I deal with stress in two ways because there are two kinds of stress. There's stress that you can take care of and there's stress that you can't. The first one, I take care of it as fast as possible, because putting it off always makes it worse. Things that I can't fix? I think about the fact that I can't fix them. I think about why I can't fix them and I come to terms with the fact that this is a problem that I'm not going to overcome and that the world is not a wish granting factory.
Everybody talks about wanting to change things and help and fix, but ultimately all you can do is fix yourself. And that's a lot. Because if you can fix yourself, it has a ripple effect.
The only way to maximize group creativity—to make the whole more than the sum of its parts—is to encourage a candid discussion of mistakes. In part, this is because the acceptance of error reduces cost. When you believe your flaws will be quickly corrected by the group, you're less worried about perfecting your contribution, which leads to a more candid conversation. We can only get it right when we talk about what we got wrong.
Golf is a game, and talk and discussion is all to the interests of the game. Anything that keeps the game alive and prevents us being bored with it is an advantage. Anything that makes us think about it, talk about it, and dream about it is all to the good and prevents the game becoming dead.
Of all the things about de Sade, I would argue he is funny. A lot of people didn't understand de Sade. No. 1, he is a very good writer, and No. 2, he had the courage to talk about a lot of things that in public, even now, almost nobody has the courage to talk about. He would do it with a kind of funny way - not the stories themselves, but the way he tells them. He is never serious.
I have two children. They're grown children. I don't think they particularly enjoy it when I'm in a dangerous situation, but they also understand that this is something I feel strongly about. It's what I've done my whole life.
The very thing about people that makes the human race interesting is also the thing that makes it so hard to get anything done without the most horrible confusions: no two people think exactly the same way about anything.
Improvisation has to do with exploring something like two brothers in a room together. You find out things about situations by discovering the things that they aren't saying. It's a way to explore scenes. Sometimes it's more useful than others, but it's always there to see if there's anything that you might improve.
Basically, in our society, you can never fix anything enough. The minute you get your head above water about one thing, they let you know that 12 other things about you suck. It's like playing 'Self-Esteem Whack-A-Mole.'
The greatest ability in the whole human race and all amongst the livingness, is the ability to help. And when you can improve that ability all the way up along the line, you've improved about all there is to improve about a person.
There are only three things to say about cocaine. One, there is no such thing as enough. Two, it will never be as good as the first time. Three, those first two facts constitute a tragedy of expense in ways that can't be experienced unless you've had cocaine. ... Your brain will settle into a puddle around your sinuses and you will die.
Love is not about two people doing things similar. It is about two people doing things differently to cover one another's flaws, and making it a perfect whole.
The part of the strangeness of coming back from the war is the way we talk about it. We try to have a discussion about the war that doesn't turn into a discussion about one political side or the other. I wanted to reach out and talk to people about it through fiction, the way a narrative can draw someone in and ask them those questions.
For me, drag is about two things - confidence and glamour. Drag is about using artiface and illusion to tap into the self-confidence we all have. And glamour is about taking what you have naturally and showcasing in a way that makes you feel good. It's truly a practice in faking it until you make it.
As I've gotten older, I've become much more effective at seeking and accepting help and bringing other people into the discussion. You start to understand that you can't control or fix everything on your own.
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