A Quote by Edward G. Robinson
I remember just before going onto the soundstage, I'd look in my dressing room mirror and stretch myself to my full 5'5" or 5'6 whatever it was-to make me appear taller and to make me able to dominate all the others and to mow them down with my size.
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One day when I was able to get up, I decided to look at myself in the mirror on the opposite wall. I had not seen myself since the ghetto. From the depths of the mirror, a corpse was contemplating me. The look in his eyes as he gazed at me has never left me.
You remember what you go through as a kid, what's going to make you listen, what's going to make you respond. I held onto that. People who treated me like that when I was younger got every bit of respect and attention I could give them, because I knew that they were coming at me from almost an equal level.
I'm not defined by whatever team I play for or whatever status I have. And I ask myself like who do I belong to, what's my ultimate source and strength and peace and in wisdom? I hold onto that. And I make all my decisions based off of that. My counsel - always go to God and Jesus first before I make any decision. And it definitely navigates me well.
For me, the amazing thing was entering into this amazing world of 'Sesame Street.' We'd be in the kids' room, and there was a door into the soundstage that said '1-2-3 Open Sesame.' I remember pushing that door open and going into this incredible magical world of make-believe. In one episode, I was playing football with Joe Namath.
Once I came out in sports, I basically told myself, 'I'm coming out, officially. I wanted to be able to look in the mirror and tell myself that I was being true to me. I wanted to help the younger me, when I was a kid, give them somebody for them to look up to.
What is important to me, is to make a girl look better. To really make the most of all her womanly wiles. It's all about accentuating a waist, perking up a bust line, rounding out hips; things that just make you look in the mirror and say, "I look awesome."
I remember just calling myself gay was a big step for me, and I remember being in the bathroom brushing my teeth, testing out to myself in the mirror, saying, 'I am gay,' and seeing if the world was going to stop or if the ceiling would fall in on me.
Yes, and I had pimples so badly it used to make me so shy. I used not to look at myself. I'd hide my face in the dark, I wouldn't want to look in the mirror and my father teased me and I just hated it and I cried everyday.
The friend who holds up before me the mirror, conceals not my smallest faults, warns me kindly, reproves me affectionately, when I have not performed my duty, he is my friend, however little he may appear so. But if a man praises and lauds me, never reproves me, overlooks my faults, and forgives them before I have repented, he is my enemy, however much he may appear my friend.
Often I'm told I'm an inspiration to people which I will forever be grateful for. But the reality is that I'm only able to help others because others are helping me. Everyday people who are doing whatever they can to help make a difference are what keeps me going.
I was self-conscious of being so lanky, of being me. I'd keep my head down, make excuses not to go out. I'd look in the mirror and hate myself. I thought I was disgusting. I cried constantly from 11 to 16. If I could tell my younger self anything, it would be to learn to love your flaws. It's OK to look in the mirror and feel really confident about yourself.
I was never one who sought to make the small man tall by cutting off the legs of a giant. I wanted to drag no man down to my size. Only to preserve a way of life which might make it possible for me, one day, to elevate myself until I at least partly matched his size.
I remember my buddies yelling at me, and it sounded like they were a football field away, and I remember them yelling, 'You're gonna make it, you're gonna make it!' I just kept trying to tell them that I was going to die.
Without opium, plans, marriages and journeys appear to me just as foolish as if someone falling out of a window were to hope to make friends with the occupants of the room before which he passes.
I don't ever like to feel myself in the position to demand of an actor that they trust I'm going to do something worthwhile. I feel a responsibility to articulate what it is I'm going to do. Whether that's showing them a full script or sitting down with them and describing my ideas in detail. It's a very healthy burden on me as a film director to be able to articulate what I want to do, to inspire actors, rather than just saying, take it on trust I'll be able to do something worthwhile.
Now the dressing-room full of RSC hierarchy. Suddenly Trevor Nunn pushes his way through and 'Trevs' me. I've heard a lot about this 'Trevving', but never had it done to me. From what I'd heard, a 'Trev' is an arm round your shoulder and a sideways squeeze. But this 'Trev' is a full frontal hug, so complete and so intimate that the dressing-room instantly clears, as if by suction. I'm left alone in the arms of this famous man wondering whether it's polite to let go.
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