A Quote by Edward Gardner

As a conductor I find the hardest tasks are to listen to the instinct of a musician and to hear the music behind the notes. — © Edward Gardner
As a conductor I find the hardest tasks are to listen to the instinct of a musician and to hear the music behind the notes.
Singing a melody is like a lot of easier and when you sing harmony you have to really kind of know music and listen to the music and be able to hear the notes or whatever.
You have to open the music, so to speak, and see what's behind the notes because the notes are the same whether it is the music of Bach or someone else.
I now understand what Nelle Morton meant when she said that one of the great tasks in our time is to "hear people to speech." Behind their fearful silence, our students want to find their voices, speak their voices, have their voices heard. A good teacher is one who can listen to those voices even before they are spoken-so that someday they can speak with truth and confidence.
I prefer it when the conductor follows me. It is more difficult to work with a conductor who does not listen - even if I understand that sometimes it makes sense when one person is ruling everything. But for bel canto, I have to have a conductor who listens and supports me.
It's like this when you fall hard for a musician. It's a crush with religious overtones. You listen to the songs and you memorize the words and the notes and this is a form of prayer. You attend the shows and this is the liturgy. You're interested in relics -- guitar picks, set lists, the sweaty napkin applied to His brow. You set up shrines in your room. It's not just about the music. It's about who you are when you listen to the music and who you wish to be and the way a particular song can bridge that gap, can make you feel the abrupt thrill of absolute faith.
Notes are tricky in an audition, because I find, more often than not, my instinct is right. If they have a preconceived notion about the role and it goes against my instinct, unless it makes sense to me, it often throws off what I'm trying to do. Though sometimes they have an insight that I don't because they've been living with the script. I don't have one feeling or another about notes, but it is always a little bit of a red alert when I get one in an audition.
The most important thing for the conductor is that he or she listens. Her listening will make things sound a certain way. If the conductor listens well, the musicians listen each other better. The conductor can in effect impose a certain kind of listening for everybody.
Music has brought me some of the highest moments of my life. I don't even hear the music. I don't even hear the notes. I'm not aware that someone has turned on a tape machine - I'm in another world.
I'm a musician and I listen to music all the time. If there's something out there where someone would tell me that I should listen to, I would listen to it.
If you listen to certain things then you can hear music everywhere. But it's your perspective on 'what do I listen to, why do I listen, what's going on.' And then you have music.
What we look for when we need to find someone who can fit in with our music, the vocals and the harmonies and the way they blend are very important to us because if you listen to Beach Boys music, the harmonies, not only are the notes being sung, but there's a blend to it. The voices have to blend.
While human nature largely determines how we hear the notes, it is nurture that lets us hear the music.
Notes are tricky in an audition, because I find, more often than not, my instinct is right.
If you listen to my tapes, you'd hear 14 different ways to arrange the rhythm guitar behind the harmony vocal, and then 14 different ways with a different vocal. You'd have to really be a music lover to sit through that and find it entertaining. I enjoy it, but I'm easy to please.
I was raised a musician and I played classic music, violin, in orchestras and music comedy theaters, I have music running around in my head all the time, and if I hear music that's too interesting, I have to pay attention to it.
The orchestra confides in me about their music director or their conductor, and I've never seen a conductor that's been liked by everyone.
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