A Quote by Edward Grey, 1st Viscount Grey of Fallodon
Two temptations that impair the value of their work inevitably beset public men who write memoirs. One is a tendency to reconstruct the past to suit the present views and feelings of the writer; the other is a natual desire to set his own part in affairs in a pleasing light.
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It must be admitted that the tendency of the human race toward liberty is largely thwarted, especially in France. This is greatly due to a fatal desire-learned from the teachings of antiquity-that our writers on public affairs have in common: They desire to set themselves above mankind in order to arrange, organize, and regulate it according to their fancy.
I honestly believe that sound commercialism is the best test of true value in art. People work hard for their money and if they won't part with it for your product the chances are that your product hasn't sufficient value. An artist or writer hasn't any monopoly .... If the public response to his artistry is lacking, he'd do well to spend more time analyzing what's the matter with his work, and less time figuring what's the matter with the public.
Let us remember that the central reality must be sought in the writer's work: it is what the writer chose to write, or was compelled to write, that finally matters. And certainly Mishima's carefully premeditated death is part of his work.
When a comic becomes enamored with his own views and foists them off on the public in a polemic way, he loses not only his sense of humor but his value as a humorist.
If you would learn to write, it is in the street you must learn it. Both for the vehicle and for the aims of fine arts, you must frequent the public square. The people, and not the college, is the writer's home. A scholar is a candle which the love and desire of all men will light.
A nation has a soul, a spiritual principle. One is in the past, the other in the present. One is the possession of a rich legacy of memories; the other is the desire to live together and to value the common heritage.
'Balthazar' is very much about the title hero having to choose between his past and his future. For the first time in a long time, he has a chance to be happy - with Skye. But he has this terrible tendency to set himself up for heartbreak, in part because he punishes himself for his past.
The hardest part of being a Christian is surrendering and that is where the real struggle happens. Once we have overcome our own desire to be elevated, our own desire to be recognized, our own desire to be independent and all those things that we value very much because we are Americans and we are part of this American culture. Once we have overcome that struggle then God can use us as a part of His body to accomplish what the body of Christ was left here to accomplish.
History in Burckhardt's words is 'the record of what one age finds worthy of note in another.' The past is intelligible to us only in light of the present; and we can fully understand the present only in light of the past. To enable man to understand the society of the past and to increase his mastery over the society of the present is the dual function of history.
Every brand builder will face a million temptations to obscure, dilute, or confuse his or her brand message. These temptations fall under two general headings: boredom and the desire for growth.
The men who administer public affairs must first of all see that everyone holds onto what is his, and that private men are never deprived of their goods by public men.
art is the most general condition of the Past in the present. ... Perhaps no work of art is art. It can only become art, when it is part of the past. In this normative sense, a 'contemporary' work of art would be a contradiction - except so far as we can, in the present, assimilate the present to the past.
I love memoirs, particularly obscure ones because the writer is usually a regular guy just telling what happened to him and to his friends. What these tales lack in artfulness they make up for in passion and authenticity. For a writer of fiction, they are solid gold. I have stolen so much from memoirs it's ridiculous.
Do not try to find a place free from temptations and troubles. Rather, seek a peace that endures even when you are beset by various temptations and tried by much adversity.
I had read too many memoirs that were written after the writer or the director was past his or her prime.
The playwright, along with any writer, composer, painter in this society, has got to have a terribly private view of his own value, of his own work. He's got to listen to his own voice primarily. He's got to watch out for fads, for what might be called the critical aesthetics.
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