A Quote by Edward Hall
Normally, an actress has to work to bring out her male side. In our case, the dynamic is reversed. The actor playing her modelled himself on Sharon Stone.
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In the African matrilineal society, the lineage of the bloodline comes down through the female side. The Arabs who invaded East Africa and other parts of Africa reversed it to the patrilineal where everything comes down through the male side and the woman has no basic rights except that which the male is willing to grant her.
In 'Casino,' there was this scene where Bob De Niro tape-records Sharon Stone's phone call. Then he asks her about where she's going, and he catches her in a lie. It was a great scene, especially for Bob's work, but we found that, in light of the whole film, it wasn't needed.
I would love to be remembered as a wonderfully dynamic and multitalented actress who left a legacy through her work and through her life of helping people and of being a positive force in the world.
On Sharon Stone (Quick and the Dead): 'She was instrumental about me getting my first American job. Absolutely, without her support, it would not have happened. At the same time, however, was it really about me or her wanting to flex her producerial muscles? I don't want to sound ungallant about the situation. But I didn't find that in working with her, that we clicked on any other level.
Reversed [Hillary Clinton's] position on charter schools, reversed her position on changing the way our urban education is run, because she has sold out to the teachers union.
Again, stepping nearer, he besought her with another tremulous eager call upon her name. 'Margaret!' Still lower went the head; more closely hidden was the face, almost resting on the table before her. He came close to her. He knelt by her side, to bring his face to a level with her ear; and whispered-panted out the words: — 'Take care. — If you do not speak — I shall claim you as my own in some strange presumptuous way.
I love the variety of films. In theater, you go into a room and the director runs the room, so you all work to his or her method. On film, if an actor or an actress is in for a day or two, the director has to get out of that actor what they need, so they have to change and adapt to that actor's technique.
Sharon Stone has made a fortune from her movies, so who says you can't get something for nothing?
Playing Amanda [in Defiance] was a wonderful opportunity for me. She was strong, dynamic, a complete badass, not defined her relationship with a man. She could hold her own. I really loved her.
There's so much with my character in Dredd that I identify with. She's my favorite character I think I've ever played. She's the most dynamic and fascinating woman that I could even imagine playing, so I love her. What I love about her is that her sensitivity is her greatest strength.
There's so much with my character in 'Dredd' that I identify with. She's my favorite character I think I've ever played. She's the most dynamic and fascinating woman that I could even imagine playing, so I love her. What I love about her is that her sensitivity is her greatest strength.
An actress who has worked most of her life is suddenly expected to slow down and her work taken away from her completely after marriage.
Moving between her thighs, he stretched out above her, then thrust into her. Once. Because, as he did everything, he acted without hesitation or apology to claim her entirely. Her eyes went wide and her breath caught. Holding her gaze, he pressed himself deeper, barely easing back before pressing deep again.
I'm attracted to artists like Frida Kahlo, because her work was her life, her questions, her outrage, her suffering, her pain. Everything is in her work.
What have they done to the earth? What have they done to our fair sister? Ravaged and plundered and ripped her and bit her Stuck her with knives in the side of the dawn And tied her with fences and dragged her down
She told Papa about it. He made her stick out her tongue and he felt her wrist. He shook his head sadly and said, "You have a bad case, a very bad case." "Of what?" "Growing up.
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