A Quote by Edward Herrmann

If I'm off the stage after two or three years I get itchy and I have to get back onstage. — © Edward Herrmann
If I'm off the stage after two or three years I get itchy and I have to get back onstage.
I’ve come in and out of America for… well, I’ve lived here for 15 years. And I’ve played here for nearly 30 years. On and off. But I’ve always played to my fan base. And I can come and do two or three nights in New York or two or three nights in L.A., and all that. But when I go away, nobody knows I’ve been gone. You know, I don’t get reviewed or anything like that. So that’s why I’ve come back and done a longer time in a smaller place, in New York. It’s always the people who live here that get a chance to know me.
You come off of this screaming audience of many, many thousands of people. I used to find it very weird. You have two choices. Either you can stay and pump flesh with hundreds of people after the show, which really gets old, or you can come off stage, get into the car, and go straight out the back and away, back to the hotel.
Where I get involved is that I have to sign off the money, yet when you have target one, two or three from your process I feel fine going after the No 1 target and, if it's not to be him, then number two or three.
For the two hours I climb on stage, I become the schoolboy. But as soon as it is over, I get off stage and go home and get told to wipe my feet before I come in.
Figure out a way to get back onstage because once you do it a few times you'll get over it. Unless it's like a clinical thing. I don't know about clinical like stage fright, that might be worse than what I'm talking about. But if it's normal stage fright get over it.
A day or two before games, it's all carb overload: pasta, rice, potatoes, stuff like that. And, straight after the game, it's important to get as much carbohydrate on as possible. Refuel your body and get as much back in as you can. As it tails off a day or two later you, ease off on the carbs and go to more protein, vegetables, and salads.
When you get released from the NFL it's not a pleasant experience and I may have sulked for about two or three years. Then I was like, 'You know what? It's time to get back on the wagon.' I have nothing to be ashamed of.
I started off on stage because it was the only work I could get. I haven't been back for 11 years. I think any stage experience is good experience, as far as being an actor is concerned.
Performing onstage is all about reacting in a grand way. You're playing an arena of seventeen or eighteen thousand people and it's your job to make sure the person at the back feels as cool as the person all the way in the front. Being on stage is a bit of a façade. You get to walk out there and be the coolest version of yourself that you could possibly have imagined and then you come off stage and you're just like everyone else.
If you're in a forest, the quality of the echo is very strange because echoes back off so many surfaces of all those trees that you get this strange, itchy ricochet effect.
I never get embarrassed on stage. Never. Never, because if you fall right on your ass it doesn't matter. I've fallen over onstage numerous times, and you always just kind of go, "oh well" and get back up.
I've done a number of things that get categories closed off in a way, so when I read 'The Long Walk' by Slavomir Rawicz and decided to do film, 'I thought, you know, this is going to be wonderful,' two and a half years, three years, whatever it was.
That's the thing about stage: It's something you can't find anywhere else. It's a two-and-a-half, three-hour experience, and it's a real relationship. You're sending out energy from the stage, but the audience is giving you back so much also, so that's also lifting you and pushing you forward as you're performing and giving you so much energy. You can't find it anywhere else, and that's why people get addicted to being on stage, and when they're not on stage are kind of looking for that and constantly searching for it.
If I'm off the road, I get itchy feet. It's my work, my job.
You can do stuff onstage that you can't do offstage. You can be angry as hell and enraged and get away with it onstage, but not off.
I am not as self-abusive in the manner of walking off stage bleeding. But as far as attitude, I feel that Twiggy and I have finally gotten back to the point of being brothers and clicked back into the place where we really enjoy feeding off each other onstage like we did when we started out.
This site uses cookies to ensure you get the best experience. More info...
Got it!