A Quote by Edward Hirsch
There's the brilliant audacity of youth that poets strike upon in their earliest work sometimes that they never can hit upon again.
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Our earliest poets were shamans. Today, as in the earliest times, true shamans are poets of consciousness who know the power of song and story to teach and to heal.
Audacity, and again, audacity, and always audacity.
Sometimes the hitter get a hit, sometimes I strike them out, but in niether case does anyone die.
Americans have always held firm, because we have always believed in certain truths. We know that if evil is not confronted, it gains in strength and audacity and returns to strike us again. We know that when the work is hard, the proper response is not retreat, it is courage. And we know that a great ideal of human freedom entrusted to us in a special way and that the ideal of liberty is worth defending.
It's a great story. It's available for anyone else who wants to try it. We're not brilliant. We're not unbelievable. We're just two people who hit a nerve. I think it can be done again and again and again. More people should try it.
In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.
I know, and know of, people who said they have taken a hit of crack and never tried it again. I overheard one woman in LA say she took one hit and it mad her feel so good, she was afraid to try it again. I am not a doctor, but I do believe that if one is predisposed to addiction, taking one hit may be all it takes. Certainly that is how it worked out for me.
The opponent strikes you on your cheek, and you strike him on the heart by your amazing spiritual audacity in turning the other cheek. You wrest the offensive from him by refusing to take his weapons, by keeping your own, and by striking him in his conscience from a higher level. He hits you physically, and you hit him spiritually.
I've never had a ground-breaking hit that changed the deal. It's always been slowly but surely for me, and I've never had a moment of sheer panic when I thought I was never going to work again. So I can't really complain.
It's so much work to make a movie, and for me it has to get me off my butt. To get me actually writing you have to strike something inside, you have to hit a power main to get the energy. You have to strike something you care about.
Audacity, more audacity, always audacity.
There is a strike zone in the pocket that's very clear. Can't hit QBs low, can't hit them high.
Sometimes you do films that work really well and sometimes you do a film and you fall flat on your face. Sometimes things work, sometimes things don't work, you never know. I don't think there is any explanation to something like that.
It's a scary life and sometimes you think you'll never work again.
If analysis shows that someone's brilliant work fails again and again as soon as cooperation from others is required, it probably indicates a lack of courtesy - that is, a lack of manners.
There's only a certain percentage of the strike zone that you can do extra-base hit, barrel damage with the ball. Just because it's in the strike zone doesn't mean you have to take a cut at it.
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