A Quote by Edward Hirsch

I think one of the things that distinguished my work from the beginning when I was in college was my turning towards poetry from other countries. — © Edward Hirsch
I think one of the things that distinguished my work from the beginning when I was in college was my turning towards poetry from other countries.
There are still many tribal cultures where poetry and song, there is just one word for them. There are other cultures with literacy where poetry and song are distinguished. But poetry always remembers that it has its origins in music.
Everybody had to go to some college or other. A business college, a junior college, a state college, a secretarial college, an Ivy League college, a pig farmer's college. The book first, then the work.
I wrote poetry in middle school and high school and even through college. It was bad. I just don't think I'm very good at writing poetry. I mean, the distillation, I think, is hard for me, but I love poetry.
It is utterly impossible to divorce the story of student awakenings from the course of missions in countries overseas. From the beginning, one of the most immediate and dramatic effects of college revivals has been the recruitment of personnel for the work of Christ abroad.
Our concern for human rights comes to the fore when there are gross violations of human decencies. Then other countries, including China, must recognize that this affects the American attitude towards their country. But towards what precise institutions will it evolve? I think we ought to leave something to history.
'Who's been repeating all that hard stuff to you?' 'I read it in a book,' said Alice. 'But I had some poetry repeated to me, much easier than that, by - Tweedledee, I think it was.' 'As to poetry, you know,' said Humpty Dumpty, stretching out one of his great hands, 'I can repeat poetry as well as other folk, if it comes to that - ' 'Oh, it needn't come to that!' Alice hastily said, hoping to keep him from beginning.
But the Western countries that link their partnership with the poorest countries with respect for democracy also have to consider that they have obligations towards these countries.
I once asked a distinguished artist what place he gave to labor in art. "Labor," he in effect said, "is the beginning, the middle, and the end of art." Turning then to another--"And you," I inquired, "what do you consider as the great force in art?" "Love," he replied. In their two answers I found but one truth.
Remember, the American grand strategy works when other countries feel secure. But it doesn't work if we acquiesce in the aggression of other countries.
If I find a great idea, I work on it at the beginning, then bring in other people to make things work. Actually, I've always been good at getting out of work.
Coming out of high school, I think it was good for me instead of going to college because college and the NBA are two different things. You can dominate on the college level, but the NBA is a whole different story. The dudes that do the best are the ones who work hard.
I don't like political poetry, and I don't write it. If this question was pointing towards that, I think it is missing the point of the American tradition, which is always apolitical, even when the poetry comes out of politically active writers.
The fact that my students could be in a little college in a little college town on the coast of Rhode Island, and be connecting in other countries with other people, did open them up and empower them and their sense of being. Whether it affected their writing, it's hard to tell.
Only in the Fall of 1924 did [Joseph] Stalin discover that it is especially Russia, as distinguished from other countries, which can by its own forces build up a socialist society.
There have always been great defenses of poetry, and I've tried to write mine, and I think all of my work and criticism is a defense of poetry to try and keep something alive in poetry.
Respond to stressful times by turning towards each other, rather than away from each other.
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