A Quote by Edward Hirsch
I think that as long as you have other poets before you and that you can learn from them, then it's always open ended for you.
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I'm passing on a tradition of which I am part. There's a long line of poets who went before me, and I'm another one, and I'm hoping to pass that on to other younger, or newer, poets than myself.
Poets, come out of your closets, Open your windows, open your doors, You have been holed up too long in your closed worlds... Poetry should transport the public/to higher places/than other wheels can carry it.
Well I think that you have to be open and honest in order to learn from your mistakes and be able to correct them in the future to understand what would happen to take things off course. And if we don't address these issues openly and honestly then we don't learn.
My dad would tell me bedtime stories, and he used to always leave them open-ended and finish at a crucial point with the words, 'dream on'. Then it was my responsibility to finish the story as I was drifting off to sleep. We would call them dreaming stories.
I have been doing this for a long ,and it is the players who learn who you need to work with. You have to coach them to think and understand the game. If they cannot, then you have to tell them, 'You have to do this anyway,' but the best thing to do is say, 'Listen, if he is doing this, then maybe you have to do that.'
In general, I find that poets spend a lot of time thinking about themselves, and not a lot of time thinking about other poets, or other poetry. Unless they think about how it affects them, or how it could impact them.
I think that by now, in the very beginning when I first joined the show, General Landry was like a new kid in school. I was coming into a situation I didn't really know much about, and now, after a couple of years, the character's kind of mellowed and gotten comfortable working at the command center and very comfortable with his troops. What they always do with these shows is they always leave them open-ended. The SG-1 franchise has been so successful for the network, that they always want to keep it open, an option to do it again in some way, whether that's a movie or a series, or whatever.
In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.
New arts are long in the world before poets describe them; for they borrow everything from their predecessors, and commonly derive very little from nature or from life.
I rented a summer home in the winter on Long Island, I took long walks, and then I ended up moving to Woodstock. It was a fertile musical area and time, and I played with a lot of different musicians there, including getting into women's music, and I ended up playing with Cris Williamson.
But the West did not last long enough. Its folk myths and heroes became stage properties of Hollywood before the poets had begun to get to work on them.
There's a sameness about American poetry that I don't
think represents the whole people. It represents a poetry
of the moment, a poetry of evasion, and I have problems
with this. I believe poetry has always been political, long
before poets had to deal with the page and white
space . . . it's natural.
Children or babies learn to mimic the vibration of the adults who surround them long before they learn to mimic their words.
My biggest poetic influences are probably 20th-century British and Irish poets. So I suppose I'm always listening for the music I associate with that poetry, the telling images, the brevity. I want to hear it in my own work as well as in the poetry I read. However, I think I'm generally more forgiving of other poets than myself.
When I was learning to write I was surrounded by poets; Brian Blanchfield and Annie Guthrie were always with me as I was learning. I'm so grateful for the poets in my life. Because of them I always knew the importance of each word, line.
The poets are wrong of course […] But then poets are almost always wrong about facts. That's because they are not really interested in facts: only in truth: which is why the truth they speak is so true that even those who hate poets by simple and natural instinct are exalted and terrified by it.
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