A Quote by Edward Hirsch

I believe in rooting poems in actual places, even if you move into some other extraordinary realm. — © Edward Hirsch
I believe in rooting poems in actual places, even if you move into some other extraordinary realm.
If you want to write poetry, you must have poems that deeply move you. Poems you can't live without. I think of a poem as the blood in a blood transfusion, given from the heart of the poet to the heart of the reader. Seek after poems that live inside you, poems that move through your veins.
I sincerely believe that there is nothing truly great in any man or woman except their character, their willingness to move beyond the realm of self and into a greater realm of selflessness. Giving back is the ultimate talent in life. That is the greatest trophy on my mantel.
I don't believe in God. But sitting there, in a room full of those who feel otherwise, I realize that I do believe in people. In their strength to help each other, and to thrive in spite of the odds, I believe that the extraordinary trumps the ordinary, any day. I believe that having something to hope for -- even if it's just a better tomorrow -- is the most powerful drug on this planet.
Poems give us permission to be unsure, in ways we must be if we are ever to learn anything not already known. If you look with open eyes at your actual life, it's always going to be the kind of long division problem that doesn't work out perfectly evenly. Poems let you accept the multiplicity and complexity of the actual, they let us navigate the unnavigable, insoluble parts of our individual fates and shared existence.
Every other year or so I go to one of those great generous places, the artist retreats. Some of the poems in The Beauty were written at the MacDowell Colony, in New Hampshire, and others at Civitella Ranieri, in Umbria.
There are definitely connections between poems, but I wanted each to stand on its own. I guess it goes back to the idea of trying to zoom in and out, and to modulate, so there are different ways of looking at any experience for the reader. Even having short poems and long poems - there has to be some kind of variation in the experience of reading as a whole.
If the motive of writing is for some people a kind of exercise in dirty laundry, that's one thing. I've always thought of my poems as meant to be overheard, as I think all of these poems are. It seems to me if you get experience right, even your most painful or humiliating experiences - if you get those experiences right for yourself and make discoveries as you go along and find for them some formal glue - they will be poems for others.
Science and democracy are the right and left hands of what I'll refer to as the move from the realm of necessity to the realm of freedom.
You know when Hollywood does a great big blockbuster that really wraps you up in a world, and lets you believe in extraordinary things that move you in some way, in an almost operatic sensibility? That to me is the most fun I have at the movies.
And I don't believe that I have to stay on one side of the fence or the other. I don't believe that there is any good career move or bad career move. I believe there are only the things that make me happy.
In general, I think the best thing to do is to connect with other females. I love meeting other female artists and feeling like we're all rooting for each other. I think that's shifted even more.
When we invoke the soul we move from the realm of information to the more vital realm of wisdom, the attainment of which is the only true value of learning.
I find flying interesting in that it's a very intimate experience. You're so close, physically, to one or two other people and you eat, sleep, do everything together. I've met the most extraordinary people on planes, some of whom I've stayed in touch with, some I haven't. Even if you're beside someone who ignores you for eight hours, there's a physicality you wouldn't put up with from anyone other than someone you knew well. You're in it together, even if you never say a word to one another.
I think that when somebody loses a bet, they tend to sometimes confuse their motives in rooting and enjoying the game because if you lose your bet, even though the team you're rooting for wins, you have a potentially conflicted outcome.
I just consider Boston and New England incredible sports fans. If they give me trouble, think I'm rooting for other side, it's mainly because they're living and dying with every pitch and every play and think I'm rooting for the other side. I'd much rather that than apathy.
I think if you put something in a file that says "war poems" or "love poems" that you already restrict the way in which the poem might move.
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