A Quote by Edward Hirsch
When I was young, I wrote everything, and I thought I would be an all around writer, that I would write everything.
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When I came into consciousness as a writer when I was in my early 20s, I just assumed that a writer did - a poet writer did everything all at once. I would write poetry, and while writing poetry I would also write work in the world - if I could get into the world.
I am not and will never again be a young writer, a young homeowner, a young teacher. I was never a young wife. The only thing I could do now for which my youth would be a truly notable feature would be to die. If I died now, I'd die young. Everything else, I'm doing middle-aged.
For me, being a writer was never a choice. I was born one. All through my childhood I wrote short stories and stuffed them in drawers. I wrote on everything. I didn't do my homework so I could write
For me, being a writer was never a choice. I was born one. All through my childhood I wrote short stories and stuffed them in drawers. I wrote on everything. I didn't do my homework so I could write.
Everything I have written up to now is trifling compared to that which I would like to write and would write with great pleasureEither I am a fool and a self-conceited person, or I am a being capable of becoming a good writer; I am displeased and bored with everything now being written, while everything in my head interests, moves, and excites me-whence I draw the conclusion that no one is doing what is needed, and I alone know the secret of how it should be done. In all likelihood everyone who writes thinks that. In fact, the devil himself will be brought to his knees by these questions.
I had read [Charles] Dickens's novels were often published serially. I thought it would be fun to write a book, just sitting down and writing a chapter every day, not knowing what would happen next. So that's how I wrote the first draft. And then of course I had to go back and make sure everything worked and change things.
When I wrote my novel, 'The Ministry of Special Cases,' I couldn't even brush my teeth. I had to write in isolation from everything else. I thought a play would take away from my fiction, but the more projects I work on, the more time I have.
If I wanted to curse you out, I would write everything I wanted to say to you in my diary, and it was like screaming in my head. After that, I would have no feelings for you; I wouldn't be mad at you or upset because I already said it to you when I wrote it down. That's what writing did for me.
Not uncommonly one hears some romantic young woman say, 'Oh, I would give anything to be a writer.' But she would not; and 'anything' is not enough. One must give everything.
I would write down the lyrics to 'C.R.E.A.M.' in Korean - not translating it, but phonetically writing out each word. I didn't know what they were saying, so I would just write everything down as I heard it. I would recite it and imitate it like that. That's how I started to write my own raps.
I love to write. I write everything across the board - kids' stories and novels and scripts. I actually would like to give that a go; I'd like to try to be a writer.
Write about your experiences! When I moved to L.A., I didn't have any friends, and the office janitor was the person who I saw the most. He would always come in at around 10:00 P.M., and I would still be at my desk, so I wrote a play about a first-year TV writer and the friendship that she developed with the janitor. Our stories matter.
People would say, "Well yeah, if I wrote action films, if I wrote the trash that you write, I could make millions too. But I want to write my real movie about these Guatemalan immigrants, and how they hid under a truck for 300 miles." And that's fine. I'd love to make that film too, but to dismiss everything I did just because it's action seems wrong.
If I had a world of my own, everything would be nonsense. Nothing would be what it is, because everything would be what it isn't. And contrariwise, what it is, it wouldn't be. And what it wouldn't be it would. You see?
Write a story a great writer would write. Because part of becoming an artist is pushing through all the disbelief of those around you, deciding that you are a writer when you have no idea what a plot is or whether what you've written is any good, or anything.
If you want to be a writer, all you need is a piece of paper and a pencil, and I had a manual typewriter. It doesn't cost money to write. It costs money to make art. So I would just write. I would hand out stories in the classes in high school. And the teacher would say, "Whatever you do, don't become a writer."
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