A Quote by Edward Hirsch

The Portuguese and Galician term 'saudade' suggests a profoundly bittersweet nostalgia. — © Edward Hirsch
The Portuguese and Galician term 'saudade' suggests a profoundly bittersweet nostalgia.
At my age, you not only have bittersweet memories, you make bittersweet plans.
Murray said, ´I don´t trust anybody´s nostalgia but my own. Nostalgia is a product of dissatisfaction and rage. It´s a settling of grievances between the present and the past. The more powerful the nostalgia, the closer you come to violence. War is the form nostalgia takes when men are hard-pressed to say something good about their country.´
My Portuguese uncle had a Portuguese version of a ukulele. The family would pull it out after dinner and play Portuguese folk songs on it. I couldn't wait for him to finish so I could get my hands on it. I was seven or eight years old. And he used to have a Fender amp in his house and an electric guitar. I would spend hours making sounds.
I'm profoundly changed. There's a bittersweet emotion that I feel from playing this role. . . . I want the world to be different because I was here. However lofty or crazy or delusional that may sound, I want people's lives to be better because I was here.
During the Peninsula War, I heard a Portuguese general address his troops before a battle with the words, "Remember men, you are Portuguese!"
The reality of a poem is a very ghostly one. It suggests, it suggests, it suggests again.
When you hear Portuguese, if you're listening fleetingly, it's as if you're hearing Russian, which never happens with Spanish. Because the Portuguese and the Russians share the open vowels and the dark "L," the "owL" sound.
Androgyny suggests a spirit of reconciliation between the sexes; it suggests, further, a full range of experience…it suggests a spectrum upon which human beings choose their places without regard to propriety or custom.
Altermodern is an in-progress redefinition of modernity in the era of globalisation, stressing the experience of wandering in time, space and mediums. The term 'altermodern has its roots in the idea of 'other-ness (Latin alter = 'other, with English connotation of 'different) and suggests a multitude of possibilities, of alternatives to a single route. It suggests that the historical period defined by postmodernism is coming to an end, symbolised by global financial crises.
...And nostalgia is a cancer. Nostalgia will fill your heart up with tumors. Yeah, yeah, yeah, that's what you are. You're just an old fart dying of terminal nostalgia.
There is something about the melody of 'Thunder Road' that just suggests 'new day.' It suggests morning; it suggests something opening up.
What I've discovered more recently is copies of books that I didn't represent, but that my boss represented when I assisted her on the dollar pile. I won't mention any names, but it is this profoundly bittersweet time of realizing, "Oh, I had a wonderful time working on this book and now it is a dollar relic on the side of the road."
I believe nostalgia has many appearances and that it's not just the privilege of adults. I think children too can have nostalgia. It's one of mankind's most shared emotions. It's one of the things that makes us human. When you live, you lose things. It's a fact of life. So it's natural for everyone to have nostalgia.
I don't think nostalgia is a healthy modality. But nostalgia and a sense of history are not the same thing. Nostalgia is a dysfunction of the historical impulse, or a corruption of the historical impulse.
Reading Ngo Tu Lap's poems, terrible nostalgia wells up in me- nostalgia for a lost time and a far-gone country, nostalgia for people I've loved, and for creatures of forests and rivers. I feel gratitude too. War is over. Peace arrives with these beautiful poems.
Time has lost all meaning in that nightmare alley of the Western world known as the American mind. We wallow in nostalgia but manage to get it all wrong. True nostalgia is an ephemeral composition of disjointed memories... but American-style nostalgia is about as ephemeral as copyrighted d?j? vu.
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