A Quote by Edward Hirsch

I grew up in a middle-class house without books, without art. No one around me wrote poetry or even read it. — © Edward Hirsch
I grew up in a middle-class house without books, without art. No one around me wrote poetry or even read it.
I grew up in a house without many books. The books the nuns made us read in school didn't interest me.
I'm the classic example of alienation: I grew up in a middle-class household without art or books. I was going to be a chemical engineer until I went to the theatre for the first time at 16 and was blown away by it.
For a person who grew up in the '30s and '40s in the segregated South, with so many doors closed without explanation to me, libraries and books said, 'Here I am, read me.' Over time I have learned I am at my best around books.
We may live without poetry, music and art; We may live without conscience, and live without heart; We may live without friends; we may live without books; But civilized man cannot live without cooks. . . . He may live without books,-what is knowledge but grieving? He may live without hope,-what is hope but deceiving? He may live without love,-what is passion but pining? But where is the man that can live without dining?
A house without books is like a room without windows. No man has a right to bring up his children without surrounding them with books, if he has the means to buy them. It is a wrong to his family. He cheats them! Children learn to read by being in the presence of books. The love of knowledge comes with reading and grows upon it.
I grew up in the suburbs, a calm suburb, without tension, with working-class and middle-class people mixed together.
I grew up in a working class neighborhood in Sweden, which, during my teens, gentrified and is now completely middle class and even upper middle class.
I myself am consummately middle class. We grew up in upper-middle-class suburbs in Oklahoma City, and thats very much the same ethos as what Richard Yates and John Cheever wrote about.
I'm from a typical middle-class family and I grew up in a place without a theatre.
A house without books must be sad. Even sadder a house of books without people.
The best thing about conceptual poetry is that it doesn’t need to be read. You don’t have to read it. As a matter of fact, you can write books, and you don’t even have to read them. My books, for example, are unreadable. All you need to know is the concept behind them. Here’s every word I spoke for a week. Here’s a year’s worth of weather reports... and without ever having to read these things, you understand them.
A house without books is like a room without windows. No man has a right to bring up his children without surrounding them with books, if he has the means to buy them.
I don't think anybody in my family meant there to be any pressure for me to write. But our parents were incredibly verbal and wrote for a living. The house was full of books, and we all grew up steeped in language. I mean, our mother recited poetry at the dinner table.
I'm not part of a middle-class establishment. I'm working class, and I grew up in a council house.
I grew up without a television. It meant that I read lots of books and entertained myself.
I grew up around books - my grandmother's house, where I lived as a small child, was full of books. My father was a history teacher, and he loved the Russian novels. There were always books around.
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