A Quote by Edward Hopper
In general it can be said that a nation's art is greatest when it most reflects the character of its people.
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Art is a nation's most precious heritage. For it is in our works of art that we reveal to ourselves and to others the inner vision which guides us as a nation. And where there is no vision, the people perish.
In the greatest art, one is always aware of things that cannot be said. . .of the contradiction between expression and the presence of the inexpressible. Stylistic devices are also techniques of avoidance. The most potent elements of a work of art are, often, its silences.
When somebody greedily comes along and thinks that they gonna snatch everything, and you have so many people that have not, the passion that drives me is trying to make them understand that they have to share. So, my art reflects that; the whole reason I do what I do reflects that.
And, moreover, it is art in its most general and comprehensive form that is here discussed, for the dialogue embraces everything connected with it, from its greatest object, the state, to its least, the embellishment of sensuous existence.
The seal and the constitution, reflects the thinking of the founding fathers that this was to be a nation by white people, and for white people. Native Americans, Blacks, and all other non-white people, were to be the burden bearers for the real citizens of this nation.
It is to Titian we must turn our eyes to find excellence with regard to color, and light and shade, in the highest degree. He was both the first and the greatest master of this art. By a few strokes he knew how to mark the general image and character of whatever object he attempted.
As for America and the rest of European world, I want to live in a nation that reflects my traditions and values, and I do not want my people to become a minority in the nations my own forefathers built. Interestingly, that is same goal that most Israelis and most Jews who support Israel endorse for the Jewish state.
I've always said that my greatest crises are my greatest opportunities to prove my own character to myself.
The greatest asset of any nation is the spirit of its people, and the greatest danger that can menace any nation is the breakdown of that spirit-the will to win and the courage to work.
The character of the artist doesn't enter into the nature of the art. Eliot said that art is the escape from personality, which I think is right. We know that Velázquez embezzled money from the Spanish court and wanted power and so on, but you can't see this in his art.
(There is) art that states the problems of society and wakes people up to make changes in their lives or in their communities,...art that offers an alternative, that demonstrates human behavior that can become a model for creativity, cooperation, freedom and playfulness, and...art that in itself provides glimpses of a larger consciousness or reflects upon the inexplicable.
There are things going on in galleries recently that have shocked me. What I'm going to say is really controversial, but what I find the most provocative is the commerciality of art in general. And the fact that a lot of people have forgotten what the meaning of art is and what the intention behind it is.
It has been a sort of maxim, that the greatest art is to conceal art; but I know not how, among some people we meet with, their greatest cunning is to appear cunning.
Most of them are pretty down records, pretty unhappy, pretty confused. Which only reflects how people in general were feeling, I mean really the sense that you get is society running down.
My work sanitizes it (emotion) but it is also symbolic of commercial art sanitizing human feelings. I think it can be read that way.... People mistake the character of line for the character of art. But it's really the position of line that's important, or the position of anything, any contrast, not the character of it.
art is the most general condition of the Past in the present. ... Perhaps no work of art is art. It can only become art, when it is part of the past. In this normative sense, a 'contemporary' work of art would be a contradiction - except so far as we can, in the present, assimilate the present to the past.
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