A Quote by Edward Hopper
If the technical innovations of the Impressionists led merely to a more accurate representation of nature, it was perhaps of not much value in enlarging their powers of expression.
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The best work of artists in any age is the work of innocence liberated by technical knowledge. The laboratory experiments that led to the theory of pure color equipped the impressionists to paint nature as if it had only just been created.
A technical failure that shows some attempt at aesthetic expression is of infinitely more value than uninspired success.
I think there was a revolution in poetry, associated chiefly with Eliot and Pound; but maybe it is of the nature of revolutions or of the nature of history that their innovations should later come to look trivial or indistinguishable from technical tricks.
There's a great expression that says, "God is a jealous lover," and it's a very accurate expression that has nothing to do with whatever you see god or nature as.
It seems important that the social value factor be more generally recognized as a powerful causal agent in its own right and something to be dealt with directly as such. No more critical task can be projected for the 1970s than that of seeking for civilized society a new, elevated set of value guidelines more suited to man's expanded numbers and new powers over nature, a frame of reference for value priorities that will act to secure and conserve our world instead of destroying it.
All dance has expression. If there is no expression, I prefer the circus. The performers do more dangerous, more difficult technical things than we do. But we are dancers. We have to express and we have to project.
There is nothing in the world so dangerous, or so overwhelming as stupidity; perhaps there is no more of it now than there has been at any time, but I do not think the witless of past generations had so much power. The powers of darkness are the powers of misdirected knowledge.
Perhaps sooner than we think, African innovations will help the rest of the world create lasting social and economic value.
I always choose to look, as much as one can, at the supernatural not being something that exists outside of nature, but a deeper, fundamental heart of nature that perhaps humans... have lost touch with. It's a more primal thing than perhaps we are attuned to in our modern, self-aware way of life.
I always choose to look, as much as one can, at the supernatural not being something that exists outside of nature, but a deeper, fundamental heart of nature that perhaps humans have lost touch with. It's a more primal thing than perhaps we are attuned to in our modern, self-aware way of life.
There are three types of innovations that affect jobs and capital: empowering innovations, sustaining innovations and efficiency innovations.
My philosophy, one of the biggest enemies of future success is past success, because you become complacent, you become risk averse, and that's one of the things we try to drive here, and this is fundamental to this philosophy, and that's in this component change, and also in value creation. That we need to drive creative destruction, not just incremental innovations, but innovations that will change the whole nature of the business.
The assumption that the laws of nature are eternal is a vestige of the Christian belief system that informed the early postulates of modern science in the seventeenth century. Perhaps the laws of nature have actually evolved along with nature itself, and perhaps they are still evolving. Or perhaps they are not laws at all, but more like habits.
I think the main struggle for women in Hollywood and women in my position is to fight for true representation in the media and accurate representation of our many diverse qualities in stories.
An accurate census is critical to our democracy and to our economy. It underpins fair representation in government and allows us to ensure that our communities receive equitable funding for schools, roads, health care, and much more.
Accurate drawing, accurate colour, is perhaps not the essential thing to aim at, because the reflection of reality in a mirror, if it could be caught, colour and all, would not be a picture at all, no more than a photograph.
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