A Quote by Edward Hopper

The question of the value of nationality in art is perhaps unsolvable. — © Edward Hopper
The question of the value of nationality in art is perhaps unsolvable.
The national question is purely a peasant question...the best way to eliminate nationality is a massive factory with thousands of workers..., which like a millstone grinds up all nationalities and forges a new nationality. This nationality is the universal proletariat.
I sometimes think that rich men belong to another nationality entirely, no matter what their actual nationality happens to be. The nationality of the rich.
I value above all the ability of art to move me emotionally and psychically, without answers. I make art that makes me question, that derives its power from being vulnerable to interpretation, that is intuitive, that is beautiful.
It is an oldish question, but not perhaps a very interesting one, whether cooking is an art or not.
'What is this', and 'How is this done?' are the first two questions to ask of any work of art. The second question immediately illuminates the first, but it often doesn't get asked. Perhaps it sounds too technical. Perhaps it sounds pedestrian.
The needs of a human being are sacred. Their satisfaction cannot be subordinated either to reasons of state, or to any consideration of money, nationality, race, or color, or to the moral or other value attributed to the human being in question, or to any consideration whatsoever.
Deep in the human nature, there is an almost irresistible tendency to concentrate physical and mental energy on attempts at solving problems that seem to be unsolvable. Indeed, for some kinds of active people, only the seemingly unsolvable problems can arouse their interest.
In mathematics the art of proposing a question must be held of higher value than solving it.
These issues that exist among people that we are Iranian and what we need to do for Iran are not correct; these issues are not correct. This issue, which is perhaps being discussed everywhere, regarding paying attention to nation and nationality is nonsense in Islam and is against Islam. One of the things that the designers of Imperialism and their agents have promoted is the idea of nation and nationality.
England is perhaps the only great country whose intellectuals are ashamed of their own nationality.
... the body, normally, is never in question: our bodies are beyond question, or perhaps beneath question - they are simply, unquestionably, there. This unquestionability of the body, is, for Wittgenstein, the start and basis of all knowledge and certainty.
Although I do not care for the slogan "art for art's sake", there can be no question that what makes a work of fiction safe from larvae and rust is not its social importance but its art, only its art.
To love something as an artist ... means to be shaken not by its ultimate value or lack of value, but by a side of it that suddenly opens up. Where art has value it shows things that few have seen. It's conquering, not pacifying.
Since the beginning of the 20th century, the public's relationship to art has been weakened by a profound institutional reluctance to address the question of what art is for. This is a question that has, quite unfairly, come to feel impatient, illegitimate, and a little impudent.
I'm not interested in nationality. Players are neither English, French, or any nationality. They are not young or old. They are stronger or not strong.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
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