A Quote by Edward Hyde, 1st Earl of Clarendon
There is no art or science that is too difficult for industry to attain to; it is the gift of tongues, and makes a man understood and valued in all countries, and by all nations; it is the philosopher's stone, that turns all metals, and even stones, into gold, and suffers not want to break into its dwelling; it is the northwest passage, that brings the merchant's ships as soon to him as he can desire: in a word, it conquers all enemies, and makes fortune itself pay contribution.
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The man of science, the artist, the philosopher are attached to their nations as much as the day-laborer and the merchant.
I have never seen the Philosopher's Stone that turns lead into Gold, but I have known the pursuit of it turn a Man's Gold into Lead.
As Kant says, the contribution of any common laborer would be greater than that of the greatest philosopher unless the philosopher makes some contribution to establishing the rights of humanity.
Dwelling upon the self too much produces terrible fatigue. A man in that position is deaf and blind to everything else. The fatigue itself makes him cease to see the marvels all around.
Nationalism makes us weak because its eternal seeking of enemies, its disdain of others, its need to feel superior makes cooperation with other nations to collectively guarantee our freedom and security much more difficult.
The contributions that one makes in typography, design, and art in general cannot be, and must not be measured on how much money is involved. That would lead to total chaos. The word itself (contribution) is to give to a common purpose.
Because my man is handsome and successful, that makes me a gold digger? First of all, I pay my own bills, and I still pay my own bills. But if your man is gonna give you a gift, you're gonna accept it. I'm not gonna be like, 'No, can you please take back the Louis Vuitton purse?' Absolutely not.
I believe that a work of art, like metaphors in language, can ask the most serious, difficult questions in a way which really makes the readers answer for themselves; that the work of art far more than an essay or a tract involves the reader, challenges him directly and brings him into the argument.
Fortune, by being too lavish of her favours on a man, only makes a fool of him.
The secret of fortune is joy in our hands. Welcome evermore to gods and men is the self-helping man. For him all doors are flung wide. Him all tongues greet, all honors crown, all eyes follow with desire. Our love goes out to him and embraces him because he did not need it.
What is it about a work of art, even when it is bought and sold in the market, that makes us distinguish it from . . . pure commodities? A work of art is a gift, not a commodity. . . works of art exist simultaneously in two “economies”, a market economy and a gift economy. Only one of these is essential, however: a work of art can survive without the market, but where there is no gift, there is no art.
Every thing thinks, but according to its complexity. If this is so, then stones also think...and this stone thinks only I stone, I stone, I stone. But perhaps it cannot even say I. It thinks: Stone, stone, stone... God enjoys being All, as this stone enjoys being almost nothing, but since it knows no other way of being, it is pleased with its own way, eternally satisfied with itself.
God cannot be represented by an image. We ought not to think that the Godhead is like unto gold, or silver, or stone, graven by art and man's device. We wrong God, and put an affront upon him, if we think so. God honoured man in making his soul after his own likeness; but man dishonours God if he makes him after the likeness of his body. The Godhead is spiritual, infinite, immaterial, incomprehensible, and therefore it is a very false and unjust conception which an image gives us of God.
If you would learn to speak all tongues and conform to the customs of all nations, if you would travel farther than all travellers, be naturalized in all climes, and cause the Sphinx to dash her head against a stone, even obey the precept of the old philosopher, and Explore thyself. Herein are demanded the eye and the nerve. Only the defeated and deserters go to the wars, cowards that run away and enlist.
The river itself portrays humanity precisely, with its tortuous windings, its accumulation of driftwood, its unsuspected depths, and its crystalline shallows, singing in the Summer sun. Barriers may be built across its path, but they bring only power, as the conquering of an obstacle is always sure to do. Sometimes when the rocks and stone-clad hills loom large ahead, and eternity itself would be needed to carve a passage, there is an easy way around. The discovery of it makes the river sing with gladness and turns the murmurous deeps to living water, bright with ripples and foam.
Sloth makes all things difficult, but industry all easy; and he that riseth late must trot all day, and shall scarce overtake his business at night; while laziness travels so slowly, that poverty soon overtakes him.
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