A Quote by Edward M. Lerner

I like to think readers appreciate a well-drawn near-future as well as a well-drawn far-future. — © Edward M. Lerner
I like to think readers appreciate a well-drawn near-future as well as a well-drawn far-future.
I was working in this very bombastic style. I didn't really know about style. I didn't think about it: I did what I was interested in, what I was attracted to, what I was drawn to. I was drawn to color, and I was drawn to humor, and I was drawn to sexuality and spontaneity. It was all really intuitive. I never really thought, "Well this is the style...
I think that our future has lost that capital F we used to spell it with. The science fiction future of my childhood has had a capital F - it was assumed to be an American Future because America was the future. The Future was assumed to be inherently heroic, and a lot of other things, as well.
I'm drawn to punk. I'm drawn to samba a bit. I don't think there's a type of music I'm not drawn to. Lykke Li I really like. Holy Sons I still can't get enough of.
I love imaginative representations of a possible near-future, where you look at the technology and you think, "Well, yeah, that could really nearly be true." I like those kinds of backgrounds.
When you do well in school as a young person you can foresee a bountiful future for yourself. When you don't do well, the future you see is bleak. It's tough to find an honour student in trouble with the law. We have to feel that we're of value and we get that from people reacting to our prudence.
Well, I'm drawn to stuff that is darker. I will probably do a version of Jane Austen at some point because her books are really well known. Unfortunately they've been parodied to death, but they're so well known that I feel like I should approach it and I think I have an idea that will definitely spin it in a different way. There's melancholy and sadness around the edges. I haven't read all of her books, but it seems they often have... essentially happy endings?
We, people, are so very, very complicated that no matter how well drawn a fictional character is, they can't get anywhere near as complex as a real person.
I just feel that I need to set my kid's future as best as I can and my family's future and my friends' future as well.
I believe I don't know what the future holds, but I know who holds the future. I know who and what holds the future. I trust that beyond this space and time, all is well, and all will be well.
I’m imagining that paper books will evolve to become something akin to candles - we have them in our homes and cherish their light, but don’t light our homes with them. Readers of Lincoln’s era would likely be surprised at how well-lit our homes are, and I think it’s likely that we will be surprised at how well-read future book readers will be.
By coincidence and not design, 'Everstar' is written and drawn by an all-female creative team, and it makes me smile to think that there may be young female readers out there, future writers and artists, who get to see that comics doesn't have to be a 'boys' club.'
I don't view myself from the past present or future tense i like to think of the world from my own personal point of view at whatever time i feel that is relayed to me in conjunction with my well being to progressively grow successfully finacially as well as mentally.
I do find that I'm drawn to people in my life, romantically or not, that have something to teach me. I'm drawn to people who I feel like I can learn from. I'm not really drawn to toxic people - I don't find myself discovering that someone in my life is toxic very often. But there is some sense of being changed by each person that I think I'm drawn to.
I feel like I've mastered what nervousness is, and simply, nervousness is, fearing the future. Or, I like to put it as, thinking about things that you don't want in the future. Normally, artists may think, 'What if my show doesn't go well?' Boom. That's going to cause nervousness.
I am Latino. I'm proud of being Latino. That's not to say I wouldn't love to see more diversity in casting. It's starting to get better but we are nowhere near where we need to be. But I'm not scared of playing Latinos, as long as they're well-drawn.
What kind of hard SF do I write? Everything from near-future, Earth-centric techno-thrillers to far-future, far-flung interstellar epics.
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