A Quote by Edward Norton

Suspension of disbelief and that whole question is part of the heart of the 'Leaves of Grass'movie. — © Edward Norton
Suspension of disbelief and that whole question is part of the heart of the 'Leaves of Grass'movie.
When it comes to acting, people talk about the suspension of disbelief that you ask of the audience. Before that starts, you have to, as an actor, suspend your own disbelief.
Everyone knows that a movie is false. But if as filmmakers we give the audience too many reasons to lose the suspension of disbelief, I believe we're working our way down a hole.
The whole film genre is one of deceit. It is the suspension of disbelief. That's what all theater and all film is based on.
For a found-footage-style movie, there's a definite advantage in using unknowns, because it helps sell the illusion that it's real. A known actor would get in the way of the suspension of disbelief.
What do you know? Haven't you heard of suspension of disbelief?
I guess love is the real suspension of disbelief.
The stage is suspension of disbelief. Film is a literal medium.
It is now life and not art that requires the willing suspension of disbelief.
The more you can create that magic bubble, that suspension of disbelief, for a while, the better.
Those who write need that "willing suspension of disbelief ", as Coleridge called it.
Cinema, which demands suspension of disbelief, is an increasingly naive proposition.
That willing suspension of disbelief for the moment, which constitutes poetic faith.
Suspension of disbelief is a necessary ingredient in all storytelling. So it has been with the government's narrative that it is delivering Brexit.
I'm not a media personality, I'm an actress. I want to protect that thing: the suspension of disbelief. The rest of it is just distraction.
The infrastructure of the US is a long-term suspension of disbelief that such things won't be exploded deliberately by people who don't create anything.
What we set out to do with this movie [Leaves of Grass] was to create something that was funny and serious and had large tonal ambitions. A movie that could be poignant and funny, and suddenly quite violent. To have a character utterly sideswiped, and to learn that life is about balance.
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