A Quote by Edward Norton
When I'm looking for Zen and I'm not saying this facetiously at all - I would really rather surf, scuba dive, or fly my plane. And, when I feel tension about the grind of work, it's not getting the money to make films versus making films that constitutes the grind, it's all this stuff.
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I am filled with hatred for money, for battleships, for industry, for factories, for the grind, grind, grind of the machine on all our creative instincts.
You know, post-production is a bit of a grind to me. If I'm producing a film, I really... I mean I like editing, but all the other crap, the color mixing and... it's all a grind. And so as a result I cut back producing the number of films I was producing.
I had to realize that you can't try to get money, support yourself, and grind doing whatchu need to do at the same time. The music is the grind. You really gotta grind. You gotta find your way around. You can't be stuck tryna get there.
I'd rather grind slow because when it land in my lap and when I get it, it's going to last longer than just shooting straight to the top and then the plane crashing because I done shot up too fast. I'd rather grind, figure the steps out and stay up there.
Being part of WWE is beautiful. You're on the biggest stage of them all. You're living well; you're making good money, and the only flipside to that is that you're on the grind, and you've got to be committed. You've got to make sure to understand what being on the grind is.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
It takes time, it's a grind. There are no shortcuts. You've got to grind and grind.
I used to grind. I be telling people, you don't grind, you don't sell. I was like 15, 16 getting dropped off in the city by myself, with my own beat CDs.
All the lessons of history in four sentences: 1) Whom the gods would destroy, they first make mad with power; 2) The mills of God grind slowly, but they grind exceedingly small; 3) The bee fertilizes the flower it robs; 4) When it is dark enough, you can see the stars.
All the lessons of history in four sentences: Whom the gods would destroy, they first make mad with power. The mills of God grind slowly, but they grind exceedingly small. The bee fertilizes the flower it robs. When it is dark enough, you can see the stars.
When filmmakers are kept from making films, there's a lot of different reasons why. Sometimes you work on a film and cast it and do all the work and can be just a month away from shooting, and all of a sudden, the whole thing goes up in smoke. But I do think the advent of a digital revolution is going to provide people with opportunities to make films that they never would have had before. I think you can do some pretty credible stuff now with very, very little money. Which I think is great for young filmmakers.
I really enjoy acting, and whether it's TV or films, I feel lucky to be doing it at all. In the end, I'd love to do films, but I'm not going to work just to do work. I only want to do something that I feel right about.
Training camp is a grind, and it truly is all about embracing that grind and coming out here and forgetting about the heat and working to get better every single day.
The beauty of my job is I do all different kinds of film directing, not just surf films anymore. And I do stuff from commercials to short films to working on feature films, and none of it is based from where I live. It's all based elsewhere, so I can live anywhere and commute to where I need to go.
There's no real outlet for making Hip-Hop in Alabama. You need to travel to get heard. You really need to be working though. You need to be going at it every day and getting yourself seen, getting yourself out there on the road, doing shows, making music. It's all about being on your grind.
The whole tradition of cinema is dominated, really, by films about good guys versus bad guys, good versus evil. But we have very few films about the nature of evil itself.
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