A Quote by Edward Norton

Screenplays aren't written to be read, they're written to be made into movies. — © Edward Norton
Screenplays aren't written to be read, they're written to be made into movies.
Every year I hear people complain that the quality of screenplays and movies is declining. In my opinion, the vast majority of scripts written - as well as most movies that are released - are not very original, well-written, or interesting. It has always been that way, and I think it always will be.
It's intuitive in terms of when I read a piece of material or I hear about a project. I'm a writer, so I've written movies. I've read at this point thousands and thousands and thousands of screenplays. So if something gets me, then I don't ignore that.
I've always written a little bit. I mean, I've written screenplays, and I've doctored my dialogue for years, and I've written speeches - I was a speechwriter on 'The West Wing,' so I like that kind of thing. But I never really thought I'd write a book.
When I started writing screenplays, as early as I started writing anything, I hadn't seen any ordinary screenplays. I saw movies and figured out how I thought they should be written.
I definitely want to do more movies, and I'm also a writer, so I have a few screenplays that I'm working on, one of them based off my one-woman show that I used to do in New York. Two of the screenplays I've written by myself, and then I'm also working on one with my writing partner, Tom Riley, who's in London.
I do have some theatrical background. I've written plays and seen plays and read plays. But I also read novels. One thing I don't read is screenplays.
No greater mistake can be made than to imagine that what has been written latest is always the more correct; that what is written later on is an improvement on what was written previously; and that every change means progress.
I have completed and uncompleted screenplays, but they both fall into the category of “unsold.” I've seen quite a few movies where the screenplays seemed to be in the “uncompleted” category yet still got sold and made into movies, so I generally refer too all screenplays as “sold” or “unsold.” But that's just my own filing system.
I've been a screenwriter for twenty-five years. Every one of my books have been optioned for movies and I have written a few of those screenplays.
Most of everything I've ever written actually was written on acoustic. 'Do You Feel' was written on electric. 'I'm in You' was written on piano.
I never felt like a happy-go-lucky ingenue to begin with. And parts are written better when you're older. When you're young, you're written to be an ingenue, and you're written to be a quality. You're actually not written to be a person, you're written for your youth to inspire someone else, usually a man. So I find it just much more liberating.
Although I'm not actually embarrassed by this, I tend not to read books that have awesome movies made from them, regardless of how well or badly the movie represented the actual written story.
A lot of what I've written that's made its way onto my records I've written in Kansas, which is interesting because I've never written about Kansas. But I go have these experiences. and I'll be back at my parents house, and it's like I'm in a safe incubator.
I think, for some children, your skills don't lie in written words. A lot of school is based around written words and how good you are at spelling or reading. From a young age, if you're told you can't spell or read very well, you're made to feel a bit stupid.
There is an enormous redundancy in every well-written book. With a well-written book I only read the right-hand page and allow my mind to work on the left-hand page. With a poorly written book I read every word.
History is ultimately storytelling. I think the more stories you write in life - and I've written a lot of screenplays, a lot of short stories - you realize it's your interpretation of events that people read, and they absorb that.
This site uses cookies to ensure you get the best experience. More info...
Got it!