A Quote by Edward Norton
I never even considered comedy genre as something to embrace or move away from.
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I think romance is a tool, comedy is a tool and drama is a tool. I really just want to tell stories that challenge the viewer, move people, make you laugh, perhaps push an idea about being open-minded but never settle on a genre or an opinion. I hate genre. I like movies that are original in their approach.
I love comedy with a passion, and I hope that shows in my work. I would never want to move an inch away from comedy. What I want to do is continue to grow and extend myself, so if anything, I'm adding things on.
I really embrace my hypocrisy. I embrace that because after I do that, I can move on; I can try and go away from that. You gotta understand what your problem is and know what it is, and then you can change it. You can't just be like, "I'm a hypocrite, and to not be a hypocrite, I'm just going to not do hypocritical things." You can't do that; you don't even understand what a hypocrite is.
Fleabag' is its own genre. It isn't comedy. It isn't drama. It isn't even tragi-comedy.
Comedy as a genre is the one that has given me maximum success, and I do broadly get associated with this genre. I thoroughly enjoy comedy, especially because it is inherent to my personality.
I am not doing comedy because the genre is successful. If that was the case, I would have done a run-of-the-mill comedy film. I set my own trends. I like to give something new and different to my audiences. I want to do the kind of comedy that has been missing till now.
A lot of groups spend their whole cultural and aesthetic identity trying to move away from Africa, which I think is a mistake. One of the reasons I love Cuba and cultures like that is because they're not trying to move away from their African roots, they're trying to embrace them. That's part of the culture.
If we don't keep people engaged, we're not going to move you. And if we move you, we've done something useful. That's what anybody who writes genre knows.
Whether it was 'The Krays' or 'EastEnders' or the songs in Spandau Ballet, if you do a good job or make something that people enjoy, that's not something you want to move away from. I was never in a rush to get away from what people enjoyed.
I never got into the horror genre, and action was fine, but I just loved comedy. Any comedy I could get my hands on, I would. I watched 'Saturday Night Live' religiously.
I always knew I wanted to make movies since I was around eleven. I never thought of it as wanting to do straight-up comedy. Even now, I don't see things in terms of genre.
I was voted Most Humorous in my senior class in high school, and I was a fan of comedy, my whole life. I never got into the horror genre, and action was fine, but I just loved comedy. Any comedy I could get my hands on, I would. I watched Saturday Night Live religiously. I've just been a fan of comedy, my whole life.
I saw in their eyes something I was to see over and over in every part of the nation- a burning desire to go, to move, to get under way, anyplace, away from any Here. They spoke quietly of how they wanted to go someday, to move about, free and unanchored, not toward something but away from something. I saw this look and heard this yearning everywhere in every states I visited. Nearly every American hungers to move.
And if the imam and the Muslim leadership in that community is so intent on building bridges, then they should voluntarily move the mosque away from ground zero and move it whether it's uptown or somewhere else, but move it away from that area, the same as the pope directed the Carmelite nuns to move a convent away from Auschwitz.
I never considered the move to Washington to be a permanent move.
I feel so fortunate to have been able to work so much, particularly in the horror-thriller genre, but I would love to be able to do something perhaps a little more dramatic or even a romantic comedy.
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