A Quote by Edward Norton

I like it when the deeper you go with the character, the more you see the layers start to peel away. — © Edward Norton
I like it when the deeper you go with the character, the more you see the layers start to peel away.
The deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
You're always choosing the start point and the end point. And almost by definition, the most interesting period is where something happens, as a result of which something is different at the end. And so to me, the idea that you know everything about a character at the beginning is sort of ridiculous. Something has to be revealed. I like it when the deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
You have so many layers, that you can peel away a few, and everyone's so shocked or impressed that you're baring your soul, while to you it's nothing, because you know you've twenty more layers to go.
I don't want the viewer to be able to peel away the layers of my painting like the layers of an onion and find that all the blues are on the same level.
I learned that the majority of the time, simplicity is the best way to go about things as you peel away the layers... that's when you start finding the gold... I can't say that was from my own acting. That was from observing actors like John Spencer and Martin Sheen... I had a chance just to observe.
As a novelist, you deepen your characters as you go, adding layers. As a reporter, you try to peel layers away: observing subjects enough to get beneath the surface, re-questioning a source to find the facts. But these processes aren't so different.
It's taken me a lot of years to peel away my own layers.
I would say there have been different stages of my feminist awakening. The more layers you peel back and the more things you're made aware of, you're like, "Oh my God."
Cinema and the arts invite viewers to focus on a story and, in doing so, peel away its layers and peer into the depths of the human soul.
More than anything, I'm trying to peel back those layers that keep people away from God and keep people away from experiencing the love of God and knowing God's love as a father.
You'll see that it'll take more than five and a half months to wipe away peel;scrape away the blanket of ignorance that has been plastered and replastered over those brains in the past three hundred years. You'll see.
In that moment I know exactly what I want; I want to peel away all the layers of clothing between us, strip away everything that separates us, the past and the present and the future.
As a writer, I always peel back the layers, go to the most sensitive places uncomfortably close to the heart.
I think the further away you get from completing a book, the more responses you see to it from readers, the more your own tastes and opinions shift and the more you start to see things you could have written differently in the detail, or done differently on the broader scale of plot and character.
I always knew that I could go deep. How deep? I don't know. But it always seems that with each character I take on, I'm challenged to go deeper than the last time, and then again deeper than the last time. This is the deepest I've ever been asked to dive. And to see how deep I actually went for this, and that I wasn't afraid to go there in order to give Tyler exactly what he envisioned for the character, which was pretty deep, that's what I discovered about myself.
we must continue to be open in the face of great opposition. No one is encouraging us to be open and still we must peel away the layers of the heart.
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