A Quote by Edward Norton
The film industry needs to confront the physical footprint of the way films get made.
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People say, "How do you get into the British film industry?" There is no British film industry, there are just people making films and finding their own way. It's not like in the States where there are studios and there's an actual infrastructure to it; there's just nothing here. You make it from scratch a lot of the time.
I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
Hollywood is a film industry, a film business. I don't approach my career in that way. I see it as 'art,' and I become involved in films that ring my bell.
I always feel I have made unfilmable books. I even felt that way about a book of mine that was later made into a movie. But my wife, who has made two films, thinks this one would make a very original film. I'm all for original films.
Indian film industry has shot films all over the world and we get a lot of benefits and facilities while shooting our films in foreign locations.
We try to make films for people [that are] the films that we'd like to see. They're not easy to get made. They're hard to get made. You have to keep the budget low to get them made. But at the end of the day, I don't really worry about competition, because I don't really think of it that way. I don't feel like I'm in a race with anybody.
Most people don't really understand what it takes to get a film made, and the struggles. I think anyone who makes a film goes through their own set of struggles. People go to extraordinary lengths to get films made. I hope it's of interest to people. One would think that it would be very easy, with an iconic character like James Bond, to keep making the films, but it hasn't been. But, it sure has been entertaining and rewarding.
It's tough to get any film made, even if you're Martin Scorsese. It's just hard to get films made.
I think the British industry is set up to support British film, if we make films that enable them to support it. If you don't make a commercial film, distributors can't get behind it. If they don't get behind it, the film doesn't do well.
The Punjabi film industry is fairly new and needs all the support it can get.
I think that, back in the day, there used to be a lot of horror films that kind of had a checklist of what went into making the 'perfect horror film', and I think now people are raising the bar in the industry, as far as the types of horror films that are being made.
The Sand Pebbles has always been one of my favorite films, I suppose because its the most difficult film - from a physical and logistical standpoint - that I've ever made.
Filmmakers need to give the audience that something extra, an incentive to spend money and go to the multiplex - the ticket prices are high. Otherwise they'd just stay home, buy DVDs or download movies. But if there were only big budget movies it would be impossible for the film industry to survive. So I emphasize the importance of mid-range films. But those films need the support of theatre owners. The theatre chains have to have the vision to realize the need to support smaller films for the growth of the domestic film industry.
When people are feeling insecure about their jobs and there are cuts to be made, it's hard to put up an argument that the film industry needs funding.
Kollywood allots big budget only for commercial films. Bollywood film industry is straightforward that way. When compared to Bollywood, Kollywood is fake. They keep churning out the same films.
Hindi film industry makes film for the rest of the world. Tamil films are watched by Malay people. When a film is not bound by a language, why should an actor be?
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