A Quote by Edward R. Murrow
People say conversation is a lost art; how often I have wished it were.
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We have lost the art of conversation. People are shy and don't know how to approach other people, and they are missing opportunities for relationships. And no one's entertaining at home anymore. They're not having people over for dinner.
When I lost my first record deal, my wife and kids and I lost - I wouldn't say friends, but - we lost a lot people around us. They just vanished! They were nowhere to be found. I couldn't get a break, and I couldn't get people to even respond to my emails about songs, no matter how good something was.
We do want to be diverted and be interested and be provoked by popular culture - by art, if we're lucky. And it's amazing how often people have lost sight of this.
A big part of the challenge is teaching your kids how to have a real conversation, not a texting conversation. If they're not sitting down at the table, the art of conversation is going to go.
One can say that the disaffection is still a lingering naiveté about, not the place of poetry in the world, but - how to say this - the moral and intellectual presence of poets in the world. And while this may seem an old conversation to many poets who roll their eyes and say, "Here we go again about the function of poetry," I think that conversation, about poetry as an engaged art in a world that is full of regression or still lacking in progress, is still really not well-developed. It's almost an avoided conversation.
I happen to disagree with the well-entrenched theory that the art of conversation is merely the art of being a good listener. Such advice invites people to be cynical with one another and full of fake; when a conversation becomes a monologue, poked along with tiny cattle-prod questions, it isn't a conversation any more.
I can hardly tell you how boring it is to interview almost every politician among the multitudes I have ever interviewed (journalists can't say this, because if people knew how boring politicians were they wouldn't read what we write), how dead the conversation feels, how bald, flat, uninteresting the message is.
Art history is fine. I mean, that's a discipline. Art history is art history, and you start from the beginning and you end up in artist in time. But art is a little bit different. Art is a conversation. And if there's no conversation, what the hell is it about?
The theater has often been at variance with the pulpit; they ought not to quarrel. How much is it to be wished that in both the celebration of nature and of God were intrusted to none but men of noble minds.
One often reads about the art of conversation-how it's dying or what's needed to make it flourish, or how rare good ones are. But wouldn't you agree that the infinitely more valuable rara avis [rare bird] is a good listener.
I was in a conversation and someone said: "You know, we were talking about the whole issue of transgender and how it has become so accepted now, and somebody said, 'You know the Oprah show, I think has had a big impact.'" I said, I don't think so. We did several transgender [shows], but we didn't do as much for transgender as I did for, say, abused kids or battered women. And they said, "But no, you started the conversation. You started the conversation and the conversation has led us to here."
That's how I am and how I've always looked at the world. I understood what the pavilions were before I came to Venice, and I knew that wasn't going to be enough for me. I wanted to extend this conversation into something I call urgency. There is urgency with people in crisis. Some communities - often the black community - just live in this urgency.
conversation is now pretty well a lost art.
I can't say that I ever worried much about what people thought or said of me. I like to be liked, and have often wished that I could be as much loved as Jim Driscoll, say, but I have never been able to bow down to rules and regulations
Often when you are starting out in comedy, you will find that people will laugh at the things you didn't think were funny. It's important to pay attention also to what people are laughing at when you are just talking in regular conversation. Often that is when you are truly being yourself.
At the Third Wave Foundation, we were asking questions like, "How can we get more voters registered who support our issues?" or "How do we want to give away of money so that it has the greatest impact?" But, the poems were involved in questions of feeling whole, negotiating sexual trauma, and speaking to what has been lost forever. I've always been a person who feels most energized when I am both creating art and working toward social change, but I often have difficulty talking about the two in the same breath.
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