A Quote by Edward Ruscha
I believe in intuition and approaching things as instant gratification. Just do the things you want to do, make the kind of pictures you want to make.
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The budgets are much higher now, it costs more to make a movie and the kids that go to see them are into instant gratification. They want things bigger and bigger. I don't make those kind of movies. I make movies about relationships.
If you want to make pictures and enjoy making them, you better go out and make something that a lot of people want to see. And then they'll turn you lose and let you make what you want. And then maybe you can do some of the things that you want to do. But as a beginner, you haven't got a chance.
I know that my mind is so A.D.D., and I want instant gratification - and photography can provide me with that - but at some point, I want to make an independent feature.
I wrote about Freud and the process of sublimation, which is when you learn to stop breast-feeding, or stop going to the toilet whenever you want to. It's about learning to repress a desire for instant gratification. And in a repressed society, artists fulfil a sense of harking back to instant gratification, or immediate expression, by doing things that function on the edge of society, or outside of what is conventionally accepted.
I want to make films that make a difference. I want to be out and hope that that will make things better for gay people and for myself. I hope one day I can start to make the kind of projects or be involved with kind of projects that can really make a difference
The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.
I'm a 'bound book' kind of girl. I have a Kindle, and I enjoy it for some things, like convenience or instant gratification, or all the little things that you can do with them.
I want pictures like these. The kind that can capture a moment, make it real, make it last. I need pictures that do more than reflect. I need pictures that are truth.
I make my share of mistakes, but one I never make is to underestimate the power of things. People imbued from childhood with the myth of the primacy of feeling seldom like to admit they really want things as much as they might want love, but my career has convinced me that plenty of them do. And some want things a lot worse than they want love.
I try to surround myself with the people who genuinely believe in changing things, that are angry about it and want to make changes and want to make a change and are willing.
At Yale we don’t just want to make new things, we want to make things better.
People tend to believe that I want to make soul music, which is not entirely untrue but, really, I want to be like the black Tom Waits - I don't want to make one kind of sound.
I want people to see my movies. My talent, my sensibilities are what people want to see in the movies... While I have the talent to make the kind of movies people want to see I want to continue to do that, keep making big pictures and make what I love. I’m really just making the films I want to see. There’s not a strategy.
I want to be happy while I make movies and not just do things just to work. I want to do things I spend years on.
I'm a miracle man, things happen which I don't plan, I've never planned anything. Whatsoever I do, I want it to be an instant action object, instant reaction subject. Instant input, instant output.
I like to just make things... If I have the TV on, I'm not just going to sit there. I want to do something with my hands; I've always got a project. Or I get a small group of people over, and I say, 'Let's make these things today.'
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