A Quote by Edward Said
Orientalism can be discussed and analyzed as the corporate institution for dealing with the Orient—dealing with it by making statements about it, authorizing views of it, describing it, by teaching it, settling it, ruling over it: in short, Orientalism as a Western style for dominating, restructuring, and having authority over the Orient.
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The Orient that appears in Orientalism, then, is a system of representations framed by a whole set of forces that brought the Orient into Western learning, Western consciousness, and later, Western empire.... The Orient is the stage on which the whole East is confined. On this stage will appear the figures whose role it is to represent the larger whole from which they emenate. The Orient then seems to be, not an unlimited extension beyond the familiar European world, but rather a closed field, a theatrical stage affixed to Europe.
The Orient and Islam have a kind of extrareal, phenomenologically reduced status that puts them out of reach of everyone except the Western expert. From the beginning of Western speculation about the Orient, the one thing th orient could not do was to represent itself. Evidence of the Orient was credible only after it had passed through and been made firm by the refining fire of the Orientalist’s work.
I emphasize in it [my Orientalism] accortdingly that neither the term Orient nor the concept of the West has any ontological stability; each is made up of human effort, partly affirmation, partly identification of the Other.
Edward Said talks about Orientalism in very negative terms because it reflects the prejudices of the west towards the exotic east. But I was also having fun thinking of Orientalism as a genre like Cowboys and Indians is a genre – they’re not an accurate representation of the American west, they’re like a fairy tale genre.
I don't want to be hubristic about art's possibilities. I don't think that art has a causal relationship to revolution. I do think it's a way people coordinate or orient their own often-inchoate experiences, sometimes willfully. With "The Masque of Anarchy," one of the things I note is that many political movements over time have made use of it as a way to orient themselves and to narrate what they were doing.
We know the Victorian way of dealing with death, which was not dealing with it. You'll never get over it but having the support of a counsellor who has been there hundreds of times is so important, to help you develop strategies to cope.
While we're over here blocked up in our departments and locked up in our own judgments and dealing with our own crazy problems, they're over there dealing with equivalent problems. One of the things that I am so frightened by lately is that men are having just as difficult a time striking a balance as we are.
For the most part you are dealing with jealousy, you are dealing with love, you're dealing with hatred, you are dealing with revenge and all of these sort of classic things.
The minute you're working with the government, you're dealing with bureaucracy, you're dealing with time lags, you're dealing with rigidity, you're dealing with a slow pace.
The first proper mystery novel that I read was 'Murder On the Orient Express' with a gaunt David Niven and a cherubic Peter Ustinov on the cover. 'Orient Express,' you'll recall, is the one where everyone did it, which delighted me no end, and I was immediately hooked.
Occident: The part of the world lying west (or east) of the Orient. It is largely inhabited by Christians, a powerful subtribe of the Hypocrites, whose principal industries are murder and cheating, which they are pleased to call war and commerce. These, also, are the principal industries of the Orient.
The history of mankind is a history of the subjugation and exploitation of a great majority of people by an elite few by what has been appropriately termed the 'ruling class'. The ruling class has many manifestations. It can take the form of a religious orthodoxy, a monarchy, a dictatorship of the proletariat, outright fascism, or, in the case of the United States, corporate statism. In each instance the ruling class relies on academics, scholars and 'experts' to legitimize and provide moral authority for its hegemony over the masses.
I just like dealing with scientists for awhile and then going over and dealing with musicians for awhile. They both have qualities that kind of counterbalance each other.
Dealing with my own life takes priority over other people dealing with my life.
I'm dealing with Mexico, I'm dealing with Argentina. We were dealing in this case with Mike Flynn. All this information gets put into The Washington Post and The New York Times, and I'm saying, what's going to happen when I'm dealing on the Middle East? We've got to stop it. That's why it's a criminal penalty.
In Western Europe people perish from the congestion and stifling closeness, but with us it is from the spaciousness.... The expanses are so great that the little man hasn't the resources to orient himself.... This is what I think about Russian suicides.
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