A Quote by Edward St Aubyn

Detachment is what interests me, seeing how people couldn't have been any other way, how they were the product of forces that they had no control over. — © Edward St Aubyn
Detachment is what interests me, seeing how people couldn't have been any other way, how they were the product of forces that they had no control over.
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
In our personal and professional lives, we are constantly hit with one adversity after the other, most of which we have no control over. But the four things we have total control over is how we react, how we adapt, how we breathe, and how we take action.
It was easy to blame other people for treating me in ways I didn't like, but now I was seeing that I was the one at fault. The only way you can be mistreated is by allowing yourself to be mistreated, and that was something I did over and over again. Somehow, I needed to find that glimmer of self-respect, buried deep inside, that would allow me to say: I am never going to let that happen to me again. I needed to learn how to stand up for myself in a different way, but I didn't know how.
What interests us in operations of striation and smoothing are precisely the passages or combinations: how the forces at work within space continually striate it, and how in the course of its striation it develops other forces and emits new smooth spaces.
The things you don't have control over, you don't worry about. I have control over my attitude, my perception, how I do things, and you do the very best job you can. Other people have control over other things and you let them do their jobs.
If our interests - our legitimate interests, the interests of Russians - have been attacked directly, like they were in South Ossetia, for example, I do not see any other way but to respond in accordance with international law.
There are two big forces at work, external and internal. We have very little control over external forces such as tornadoes, earthquakes, floods, disasters, illness and pain. What really matters is the internal force. How do I respond to those disasters? Over that I have complete control.
If, then, the control of the people over the organs of their government be the measure of its republicanism, and I confess I know no other measure, it must be agreed that our governments have much less of republicanism than ought to have been expected; in other words, that the people have less regular control over their agents, than their rights and their interests require.
I can't always control my body the way I want to, and I can't control when I feel good or when I don't. I can control how clear my mind is. And I can control how willing I am to step up if somebody needs me.
You're never in control. That - that is the greatest fallacy of the - you know, there's over 200 people that it requires to make a film. And there's people who are in control of how you look, what your performance is, what takes are used, what - you're only in control of how you say no.
Our own personal salvation is to say, "I'm not going to judge myself, or let other people judge me, by my economic worth." We can't, obviously, control how other people will judge us, but - Life's too short to worry about those things. We can't control those things, but we can control how we feel about ourselves. And we work towards that. To say, "My life has been a success. Even if my bank account doesn't indicate it."
That’s the thing about a human life-there’s no control group, no way to ever know how any of us would have turned out if any variables had been changed.
I been seeing other people work with Belaire like DJ Khaled, Rick Ross, and stuff like that. But other than that, I just wanted to work with them because they showed me mad love and were genuine when we were locking in the deal. For me, it had to make sense and be genuine, and this partnership definitely felt that way.
My children have been all over the world, and I think it's so good for them: expanding their horizons and imagination and seeing how other people live.
One of the issues that has been an issue in how we deal with net migration up until now is that we haven't been able to have any control over freedom of movement from the European Union. We will have that control in the future once we leave the EU.
I don't have control over how people choose to perceive me. The only thing I have control over is my writing.
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