A Quote by Edward Teller

The eyes of childhood are magnifying lenses. — © Edward Teller
The eyes of childhood are magnifying lenses.
I didn't think that and I didn't verbalize that to myself or within meetings that we ever had, but we wanted to make a hard-nosed, gritty, realistic spy thriller. Roger talked about using lenses. He shot hi-def, but using anamorphic lenses that he'd found from this warehouse. He was so thrilled with that. Him and Romain [Lacourbas] were just like kids in a toy store with their lenses.
We have two boys, and one of our kids is much more interested in history and stories, so if you want him to do some calculations about lenses, you would start talking to him about Galileo... Then he would be into the lenses, but if you just start talking to him about lenses, he might not stay with you.
The youthful sparkle in Ronald Reagan's eyes is caused by his contact lenses, which he keeps highly polished.
By high school, I had traded my oversized, thick glasses for contact lenses, but my eyesight was getting worse every year, smothering my childhood aspiration of becoming an astronaut or, at least, a pilot.
This whole business of all these lenses is ridiculous. You know, it's like you have to capture your picture. You have to create it. You have to see it. You have to seize it and you have to move in to get it, so those lenses are just an escape of some sort or a shield.
The greatest magnifying glasses in the world are a man's own eyes when they look upon his own person.
I put contact lenses in my dog's eyes. They had little pictures of cats on them. Then I took one out and he ran around in circles.
Our beliefs act as lenses. These lenses can help us see things we can't otherwise see, but they can also block us from seeing parts of reality.
Joel Schumacher fired me from 'Batman & Robin.' I don't think anybody knows that. I was having trouble with these contact lenses that were supposed to make your eyes glow under blacklight.
If at times my eyes are lenses through which the brain explores constellations of feeling my ears yielding like swinging doors admit princes to the corridors into the mind, do not envy me. I have a beast on my back.
I was shy, but it came out in a big personality. My turning point was when I let my hair go naturally and I got contact lenses. I am really blind, by the way. I have these big eyes that don’t work!
When I look back on my childhood I wonder how I survived at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.
I remember coming on my first set and it being a playground of things I wanted to ask questions about: cameras and lenses and what the lenses do, what's the focus puller doing and how does that work? Why is there less margin for error when there's less light? I was always asking questions and watching directors closely.
Actors work with their look. I come from the Lon Chaney Sr. school of acting. I'll wear wigs, I'll wear nose pieces, I'll wear green contact lenses in my eyes. I'll do whatever I need to do to create a character.
I've got extra lenses inside my eyes to try to help me read better. They help with peripheral vision, but I've got no central vision.
I played football for Leeds United under-18s, but at 17 my eyes started to go and I had to wear glasses. The football had to go - there were no contact lenses in 1957.
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