A Quote by Edward Tufte

Allowing artist-illustrators to control the design and content of statistical graphics is almost like allowing typographers to control the content, style, and editing of prose.
Television is by nature the dominator drug par excellence. Control of content, uniformity of content, repeatability of content make it inevitably a tool of coersion, brainwashing, and manipulation.
The abstract expressionists had that thing of, subject matter becomes content, content becomes form. And I always thought there was no room for style. I felt with my painting, the style really is the content. The style holds everything together.
Nobody will have control of the media in the future, because user-generated content is going to become the major content.
I thought The Limits of Control could be interpreted in two ways: as the limits of one's self-control; and as the limits of allowing other people's control over one's - consciousness - which I kind of thought was a double meaning that was appropriate.
The content dictates the style all the time. That's the way it is. If the content of the film - as in Husbands and Wives - is highly jagged, neurotic, fast-paced, nervous New York film, it just called for that kind of shooting, editing and performance.
If there were no controls on the internet - and I shudder to think at letting certain people have control of it. It is content related. Ultimately what they want to control and police is the content. They're liberals! They want to eliminate opposing points of view. They do it with political correctness, which is censorship. They do it in the Drive-By Media by simply ignoring all kinds of news that is not palatable or it conflicts with their worldview, they just ignore it and don't even cover it. It's inarguable.
You cannot control what happens to you, but you can control your attitude toward what happens to you, and in that, you will be mastering change rather than allowing it to master you.
I believe that the brain has evolved over millions of years to be responsive to different kinds of content in the world. Language content, musical content, spatial content, numerical content, etc.
Seriously, we are in the midst of the convergence of voice and data and that is challenging the infrastructure of the telephone companies. There are huge commercial interests in the basic technology, but even more so in content delivery and control of content.
The computer is a tool, just like pencil or charcoal, allowing illustrators to manipulate images from their sketchbooks.
So I think the biggest thing that I've learnt in my career is not allowing external factors to determine my self-worth - external factors being what coaches think of me, the amount of playing time I get - not allowing those things that actually are out of my control affect how I feel about myself.
Content precedes design. Design in the absence of content is not design, it's decoration.
To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body - both go together, they can't be separated.
If we continue to treat content as an extra to information architecture, to content management or to anything else, we miss a bright opportunity to influence users. Content is not a nice-to-have extra. Content is a star of the user experience show. Let’s make content shine.
A small artist is content with art; a great artist is content with nothing except everything.
Content informs design; design without content is decoration.
This site uses cookies to ensure you get the best experience. More info...
Got it!