A Quote by Edward Weston
The creative force in man recognizes and records these rhythms with the medium most suitable to him, the object, or the moment, feeling the cause, the life within the outer form. Recording unfelt facts, acquired by rule, results in sterile inventory. To see the Thing Itself is essential: the quintessence revealed direct without the fog of impressionism - the casual noting of the superficial phase, a transitory mood.
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To see the Thing itself is essential: the quintessence revealed direct without the fog of impressionism... This then: to photograph a rock, have it look like a rock, but be more than a rock. Significant presentation - not interpretation.
One can imagine having a procedural rule that anything ambiguous should be treated as the Taj Mahal unless we see that it is labelled "fog". The motorist replies: "What sort of rule is this? Surely the best guarantee I can have that the fog is fog is if I fail to see the sign saying 'fog' because of the fog."
The best bands kept making records and had this evolution, where by the end, by their commercial phase or sellout phase, the records are from outer space.
The camera should be used for a recording of life, for rendering the very substance and quintessence of the thing itself, whether it be polished steel or palpitating flesh.
A letter is paradoxically the most revealing and the most deceptive of confessional revelations. We all have our inconsistencies, prejudices, irrationalities which, although strongly felt at the time, may be transitory. A letter captures the mood of the moment. The transitory becomes immutably fixed, part of the evidence for the prosecution or the defence.
At the utmost, the active-minded young man should ask of his teacher only mastery of his tools. The young man himself, the subject of education, is a certain form of energy; the object to be gained is economy of his force; the training is partly the clearing away of obstacles, partly the direct application of effort. Once acquired, the tools and models may be thrown away.
There is in each of us an ancient force that takes and an ancient force that gives. A man finds little difficulty facing that place within himself where the taking force dwells, but it's almost impossible for him to see into the giving force without changing into something other than man. For a woman, the situation is reversed. ... These things are so ancient within us that they're ground into each separate cell of our bodies... It's as easy to be overwhelmed by giving as by taking.
'Impressionism' was the name given to a certain form of observation when Monet, not content with using his eyes to see what things were or what they looked like as everybody had done before him, turned his attention to noting what took place on his own retina (as an oculist would test his own vision).
Impressionism' was the name given to a certain form of observation when Monet, not content with using his eyes to see what things were or what they looked like as everybody had done before him, turned his attention to noting what took place on his own retina (as an oculist would test his own vision).
There must be a union between the spirit in wood and the spirit in man. The grain of the wood must relate closely to its function. The abutment of the edge of one board to an adjoining board can mean the success or failure of a piece. () Gradually a form evolves, much as nature produces the tree in the first place. The object created can live forever. The tree lives on in its new form. The object cannot follow a transitory “style”, here for a moment, discarded the next. Its appeal must be universal. Cordial and receptive, it should invite a meeting with man
Love has to spring spontaneously from within And it is no way amenable to any form of inner or outer force. Love and coercion can never go together; But though love cannot be forced on anyone, It can be awakened in him through love itself. Love is essentially self communicative; Those who do not have it catch it from those who have it. True love is unconquerable and irresistible, And it goes on gathering power and spreading itself, Until eventually it transforms everyone whom it touches.
A man without force, is without the essential dignity of humanity. Human nature is so constituted, that it cannot honor a helpless man, although it can pity him.
People who have come of age from the '80s on have experienced a form of activism that's very sterile and annoying. It's not that much fun to be an activist. That's partly by design. They are sterile protests and anonymous e-mail activism - not the kind of thing where people fall in love, form friendships for life, and see the change they make right in front of them. I've seen that, when people start to experience doing these things together and the power that it has.
Of all the differences between man and the lower animals, the moral sense or conscience is by far the most important. This sense, as Mackintosh remarks, "has a rightful supremacy over every other principle of human action"; it is summed up in that short but imperious word "ought," so full of high significance. It is the most noble of all the attributes of man, leading him without a moment's hesitation to risk his life for that of a fellow-creature; or after due deliberation, impelled simply by the deep feeling of right or duty, to sacrifice it in some great cause.
Sour Patch, Swedish Fish. I love candy, man. I can't go without candy. And when I'm recording, I always have a TV on with cartoons - on mute, though. When I'm recording, I like to look at the TV now and then and see some crazy, wacky stuff. When you're thinking creative, it just keeps you creative. Everybody got their way of making music.
I'm very proud of my records, but my most natural creative tendencies have been in live performing. There's a beautiful element to recording and making records, but I've always felt a little shy with it.
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