A Quote by Edward Weston

No photographer is better than the simplest of cameras — © Edward Weston
No photographer is better than the simplest of cameras
I've never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning - but some phase of photographer I've always been.
No photographer is as good as the simplest camera.
Learning how to use different formats has made me a better photographer. When I started working in medium format, it made me a better 35 mm photographer. When I started working in 4x5, it made me a better medium-format photographer.
Composition is what's similar between being photographer and director. As a photographer, you're sort of doing everything - you're directing the lights and you're framing and you're moving around. The hardest thing to learn as a director is how cameras have to move. You have to have patience, you have to learn how to look through the lens and then you have to learn to combine all of the compartments into one great image.
Twitter makes you a comedian in the same way that digital cameras make you a photographer
A pretty girl is better than a plain one. A leg is better than an arm. A bedroom is better than a living room. An arrival is better that a departure. A birth is better than a death. A chase is better than a chat. A dog is better than a landscape. A kitten is better than a dog. A baby is better than a kitten. A kiss is better than a baby. A pratfall is better than anything.
Cameras are like dogs, but dumb, and toward quarry, even more faithful. They point, they render, and defy the photographer who hopes.
Knowing what I know now, any photographer worth his salt could make some beautiful things with pinhole cameras.
... I think it is fair to say that all war photographers hide behind their cameras. I hid behind mine for years and years and years. It was a shield... I think that the photographer in combat has a greater protection than the soldier who has a rifle in his hand. That camera has unbelievable protective power.
I became a photographer in order to be a war photographer, and a photographer involved in what I thought were critical social issues. From the very beginning this was my goal.
From analog film cameras to digital cameras to iPhone cameras, it has become progressively easier to take and store photographs. Today, we don't even think twice about snapping a shot.
Well, I'm not going to get into that. I think that those kind of distinctions and lists of titles like "street photographer" are so stupid. I'm a photographer, a still photographer. That's it.
It's quite difficult to write about photography as a photographer. A lot of better photographers than me have declined to do it.
The creative life of the commercial photographer is like the life of a butterfly. Very seldom do we see a photographer who is really productive for more than eight or ten years.
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, a more selective, more acute seeing eye by looking ever more sharply at what is going on in the world.
Far better to be the simplest pedestrian, with knapsack on back, stick in hand, and gun on shoulder, than an Indian prince travelling with all the ceremonial which his rank requires.
This site uses cookies to ensure you get the best experience. More info...
Got it!